Exploding Angels

I made little cardboard angels that open up to reveal a chocolate inside when you take the top off. They are based on the ‘exploding’ boxes on this excellent site, which will generate templates for making all sorts of boxes and shapes, including a set of the Platonic solids, stars with any specified number of points, and so on.  A grateful hat-tip goes to Suse, from whose Facebook post I discovered this handy resource.  Happy New Year!

January 2021 Competitions

Here are the writing competitions I might enter in January. I seem to have picked up more from the USA this time. Some of these have a bit of a local feel – I haven’t seen one with any actual restriction, but I feel a bit shy about entering a competition that has never previously been won by someone who wasn’t from North Carolina…
  • The Exeter Novel Prize has a deadline of 1 January (I don’t believe they’ll get much reading done that day, though). First 10,000 words with a 500 word synopsis – first prize £500
  • Also with a 1 Jan deadline, Crazyhorse  magazine wants stories of 2,500 to 8,500 words or 25 pages. The entry fee is $3 and top prize is $2,000 plus publication in the magazine.
  • Bayou magazine will give you marginally more time if you want to go in for the James Knudsen prize, with a deadline of 2 January. Submit stories up to 7,500 words; there’s an entry fee of $20 and a prize of $1,000 plus a year’s subscription.
  • The regular Henshaw competition has a deadline of 6 January with a first prize of £200. They want up to 2,000 words and the entry fee is £6.
  • The Mogford prize offers a whopping £10,000 for a story about food and drink, up to 2,500 words. The deadline is 13 January, with an entry fee of £15.
  • The K Margaret Grossman award, run by Literal Latte journal, offers a prize of $1000 for stories of up to 10,000 words, deadline 15 January. There’s $10 entrance fee, or you can enter twice for $15. They say that all entries are considered for publication, but the journal appears to be in trouble. It hasn’t published since its Fall 2018 number, so some scepticism seems excusable.
  • The Bournemouth Writing Prize (previously known as the Fresher Prize) seeks stories up to 3,000 words, offering a top prize of £500 plus feedback. Th entry fee is £7 and the deadline is 25 January.
Then we have the usual clutch of competitions with a deadline of the end of the month,  31 January.
  • Mighty Pens have a modest top prize of a £50 M&S gift card – but also a certificate and publication in their magazine. They want 500 to 1,000 words on the theme of ‘Winter’ (or possibly ‘Tears in Winter’ – that’s also mentioned at one point).
  • The Parracombe Prize has a word limit of 2,020 (see what they did there), a first prize of £100 and an entry fee of £5.
  • Secret Attic’s Long Short Story competition (they do have a short one as well) requires stories of 1,500 to 3,000 words (not all that long, then). Entry fee is £3.00, top prize is £100 plus publication in their ‘booklet’.
  • The Winter Anthology, by contrast, has no hang-ups about word counts: send us as much as you like, they say. The top prize is $1,000, with an entry fee of $11.00. The winner is published in the latest anthology, and finalists are also considered for publication. They warn that if entries are not good enough, they will not award a prize; their Submittable page says reassuringly that this has never happened, but their webpage says it happened last year…
  • Finally, it’s a bit out of my comfort zone,  but the Fish Short Memoir competition has an entry fee of €18 and a top prize of €1000, plus publication in the Fish anthology.
A bit early, but I wish you a productive and successful New Year!