Picasso

To mark the 50th anniversary of Picasso’s death, the Musée National Picasso-Paris commissioned Sir Paul Smith to direct a special exhibition, which selects works from their huge collection. We went over to see it.

Many of the pictures have been hung on walls specially decorated with bold motifs taken from the painting itself: I’m afraid this mostly just seems like a distraction. But it is an astonishing collection of works.

There is a connection here with Degas. Picasso admired his stuff and produced a series of works inspired by Le déjeuner sur l’herbe.

The exhibition presents this final picture of the young artist, done in Picasso’s last year, as his cheerful farewell.

Manet/Degas

In Paris to see the exhibition of Manet and Degas at the Musée D’Orsay.

This follows well from the Morisot exhibition and indeed includes many portraits of her by Manet…

The exhibition explores the relationship between Degas and Manet, who according to legend met while copying the same painting in the Louvre. Both were from fairly well-off families who intended them for other careers, both served as soldiers in Paris, and both (in different ways) had a complex relationship with Impressionism. Manet, however, was sociable and had a lively romantic life, while Degas was solitary, easy to quarrel with, and quite probably never had sex with anyone. After Manet’s death Degas collected many of his painting and gathered together the surviving fragments of The Execution of Emperor Maximilian.

Some of my pictures seem to have got deleted, but here are some random highlights.

The exhibition is constructed to make a point, and does not include some of the famous works by both artists that are actually on display just upstairs in another part of the gallery!

July 2023 Competitions

Here’s my regular look at writing competitions I might enter during the coming month (so no poetry or competitions that arenot open to UK writers, for example).

  • Leicester Writes wants up to 3,500 words, with an entry fee of £7.00 and a prize of £175. The deadline is 2 July.
  • Liminisa offers a week’s writing holiday at their retreat in Greece: entry is free, but you must follow them on social media. The maximum word count  is 1,500 and the theme is ‘A Room of One’s Own’, Deadline 2 July.
  • Story Quarterly (from Rutgers) will take pieces up to 6,250 words: entry is $15 and the top prize £500. The deadline is 9 July.
  • The H.G.Wells competition is back, with a theme of ‘Motion’. Up to 5,000 words, with a deadline of 10 July. The top prize is £1,000, while entry is £10.
  • Wrekin Writers are again running the Doris Gooderson competition, with a deadline of 12 July. They want up to 1,200 words, entry is £5 and the top prize is £200: at least half the funds raised will go to the Severn Hospice.
  • Hastings Book Festival has a word limit of 2,500, and entry fee of £7.50 and a prize of £250: deadline 14 July.
  • LISP wants up to 3,000, with a deadline of 15 July.  Prizes have been shrinking recently, but I have to say this one does not look generous: £100 against an entry fee of £15.50. Earlier in the year, I must acknowledge, the fee would have been lower, but still – a prize that’s less than seven times the entry cost?
  • The Adrift competition from Driftwood magazine will take pieces of up to 6,000 words: entry is $11, the prize is $500 and the deadline is again 15 July.
  • With the same deadline, the Petrichor prize from Regal House looks for 100-350 pages of ‘finely crafted’ fiction. Entry is $25 and the prize $1,000.
  • Hawk Mountain looks for a book-length collection of short stories: entry is $20 and the prize $1,000 plus publication. Deadline 15 July.
  • One more with the same deadline: the Francine Ringold Award from Nimrod, open to pieces of up to 5,000 words, entry $12 and prize $500.
  • The Aurora Prize, from the writers of the East Midlands, seeks up to 2,000 words. Entry is £9 and the prize is £500 plus a year’s membership of the Society of Authors: enter by 19 July.
  • Munster Lit is back with the annual Séan Ó Faoláin competition. Entry is  €19 and the prize €2,000 plus a writing residency. The closing date is 31 July, as it is for all the remaining competitions.
  • Creative Writing Ink want 3,000 words max, with a fee of £9 and a prize of £1,000.
  • The Olga Sinclair prize, from Norwich, looks for up to 2,000 on the theme ‘The Sea’. Entry is £9 and the prize is £500.
  • The Global Novel Writing Competition is free to enter, but there is no cash prize. Instead, you get free entry on to a course at the Writers’ College. They want first chapters up to 6,000 words plus a synopsis

Good luck if you enter any of these; if you get anywhere, please do let me know!

Berthe Morisot

We went to the Berthe Morisot exhibition at the Dulwich Picture Gallery. The exhibition, nicely hung, traces influences from earlier generations of artists. These were noted at the time and Fragonard in particular was mentioned so much it led to a legend that she was literally his descendant, a false claim still widely repeated, on Wikipedia and elsewhere. The pictures don’t even look especially Fragonardish to me.

In any case, the emphasis should probably be on her innovative contribution to Impressionism. Her pictures look very fresh and modern in style, if not always in subject. Her brushwork is free and sometimes she doesn’t bother painting to the edge of the canvas. Nearly all are pictures of women, including the striking self-portrait above, in which she jokingly arranges flowers on her lapel to look like the Legion d’Honneur. She seems to have been a good subject, painted many times by her brother-in-law Manet.

Morisot and her sister Edma had the advantage of coming from a well-off family that was happy to pay for art tutors, but as women could not go to art school, and Edma gave up painting when she married. Morisot’s paintings sometimes attracted patronising comments relating to their ‘femininity’: on the other hand her works were never rejected by the Salon as other impressionist paintings were.

Worth a look.