January 2026 Competitions


Here is another monthly round-up, covering competitions with deadlines in January.

As always, these are contests I may enter myself, so generally no poetry or flash and no competition that isn’t open to an elderly bloke in the UK. Prizes and entry fees vary a lot, so check the benefits to see whether they appeal to you. There is no point in entering a competition if you don’t even want the prize! In some cases the entry fee amounts to a large slice of the prize, though there may be other benefits such as publication, trophies, free books or courses, etc.

Merry Christmas!

ContestWord CountFeePrizeDeadlineDetails
Exeter Novel  Prize 10k + synopsis£20.00£1,000.0001/01/2026
Disquiet Literary Prize25 pages$15Lisbon Program or $1,00005/01/2026First prize is a week-long lit program in Lisbon, but you can opt for cash
Storybottle10,000$15$1,00015/01/2026
Cai Emmons
 
25,000 word min
$25
$5,00015/01/2026
Georgia ReviewLess than 9,000$25$1,50015/01/2026Winners of story and essay sections compete for the top prize.
The Page is Printed1 A4 page£5£100 voucher19/01/2026
LISP3,000£14.50£10026/01/2026You can enter later but it costs more
Thomas Wolfe Fiction Prize3,000$25$1,00030/01/2026
Parracombe2,026£5£15031/01/2026
The Ghost Story flash1,000$15$1,00031/01/2026
Bristol Short Story Prize4,000£14.00£1,00031/01/2026
Askew’s Word on the Lake2000$15(Ca)$200(Ca)31/01/2026

Special Christmas Tree

Our potted miniature maple is beautiful when in leaf, but during the winter it’s a bit bare. So I have made it into a Christmas tree inspired by Charlie Brown’s threadbare one. I used green strinsel, a kind of tinsel made from recycled string.

Woman In Mind

We went to see the new production of Woman In Mind, the Alan Ayckbourn classic, staring Sheridan Smith as Susan and with Romesh Ranganathan as Bill Windsor. It’s a great show and I recommend it: funnily enough my only reservations are about the play itself. There are some spoilers in what follows.

The story is in essence about a woman losing her mind. In the early stages her delusional and at first ideal life contrasts with the depressing reality, as she switches between the two. I would have liked a neat resolution to all this, but we don’t get one: instead the delusions get stronger, less controllable and less pleasant and eventually swallow her up.

I said one side of the story is the depressing reality of her life, but in fact our faith in the reality of even the ‘real’ parts is gradually undermined (or at least, mine was). Bill Windsor seems to move across gradually from sensible reality to florid delusion. Muriel the sister-in-law seems like a caricature, too completely awful to be a real person. The behaviour of Susan’s son is not depressing in normal ways but bizarre, and seems to revolve around her, even if in a most negative way. So perhaps in the end we are to realise that the entire play is the record of a set of growing delusions that reflect reality only in a distorted way. That can still be interesting, but I think a little less than a play that does engage with real life effectively.

Merry Christmas!

I am not really posting any cards this year, but here is my little Christmas painting instead – it is an adaptation of one by Lin Fengmian, but obviously I lack his skill with the brush.