December 2023 Competitions

Rather slim pickings this month for competitions – December always seems to be quiet, especially in the UK. Perhaps everyone is saving their creative energy for really great Christmas cards? Anyway, here we are.

  • The St Louis Writer’s Guild is again offering the stingiest prize: $15 to enter, but the top prize is $50. Maximum 3,000 words and the deadline is 1 December.
  • The Breakwater Review contest, with the same deadline, costs only $10 to enter and offers a decent $1000 prize. You can go up to 4,000 words.
  • The Skobeloff competition is free, but your only prize is publication. They want stories of love and romance up to 5,000 words long, and you’ve got until 10 December.
  • The Masters Review is looking for chapbooks, between 25 and 45 pages. It’s $25 to enter but you could win $3,000 plus 75 copies of your chapbook to give to friends and relatives. (Or use as a sort of taster with novel submissions? Maybe not.) The deadline is 17 December.
  • For the Jacob Zilber prize from Prism magazine you need up to 4,000 words and an entry fee of $35: top prize $1,500, and the deadline is 21 December.

The rest all have deadlines of 31 December, possibly something to fill those empty days between Christmas and New Year.

  • The Letter Review has an entry fee of $20 and a top prize of $5,000: stories up to 5,000 words.
  • Boulevard magazine will take up to 8,000 and charge $18, offering a prize of $1,500.
  • Finally, the Danahy Fiction Prize from the Tampa Review costs $20 to enter with a prize of $1,000. Stories up to 5,000 words.

So ends another year of authorial competition. Merry Christmas!

September 2023 Competitions

Here’s my regular look at writing competitions I might enter during the coming month – some interesting ones this time.

  • First, we have one of the most prestigious competitions in the calendar, from Manchester. Up to 2,500 words, £18 to enter and a top prize of £10,000. The deadline is 1 September, so I hope you’ve got something nearly ready.
  • Also among the early ones is On the Premises magazine, which wants stories of 1-5,000 words by 1 September. It’s free to enter and first prize is $250. Stories must be inspired by a picture on the site (of closely packed trees).
  • Also with a deadline of 1 September, is the strange Owl Canyon Hackathon. Teams of two writers collaborate, each given a different final paragraph; they take it in turns to write the preceding 49 paragraphs, trying to steer events towards their own conclusion. The two stories are then split off and judged separately. I think that’s how it works. There may not be enough time to get organised, but the good news is it’s free to enter, with a $2,000 top prize
  • Terrain wants stories up to 5,000 words: entry is $20, the top prize $1,000, and the deadline is 4 September.
  • Juxtaprose wants stories up to 10,000 words: entry is $15, first prize $1,000, and the deadline is 6 September.
  • Publication is the only prize for Horror and Ghost stories of up to 5,000 words, but entry is free The deadline is 10 September.
  • Ovacome wants stories up to 1,500 words:entry is £8 and the prize £250. The contest supports an ovarian cancer charity, but stories need not be related to that. The deadline is 15th.
  • The Silver Apples Redemption prize is for stories rejected by other competitions or publishers. 1,500 to 4,00 words, £10 entry and a prize of £200 – the deadline is 15 September.
  • The Green Stories Project wants stories on the theme of ‘microbes’, highlighting the benefits of Environmental Biotechnology (you may want to watch their video). Stories should be 1000-3000 words and they also want two hundred words explaining the thinking behind the story. It’s free to enter and the prize is £500: enter by 21 September.
  • The annual contest in memory of Dinesh Allirajah is on the theme ‘The Uncanny’ this year. It’s free, the top prize is £500 and length must be 2-7,500 words. The competition closes on 22 September.

All the rest have a deadline of 30 September.

  • SaveAs want stories up to 3,500 words on the theme ‘All In the Mind’. Entry is £4 and the prize £200
  • The annual Hammond House competition is back, with the theme ‘Fate’. Entry is £10, top prize £1,000 and the word count should be between 1,000 and 5,000.
  • Crowvus would like a Christmas ghost story in the good old tradition. Up to 4,000 words, just £3 to enter, and a prize of £100.
  • Then we have Henshaw Press (now run by Hobeck Books) with their regular competition. 2,000 words, £6 to enter, and £200 prize.
  • Galley Beggar Press want up to 6,000 words. It’s $10 to enter and you could win $2,500
  • The Iowa  and John Simmons contest, for collections of stories of at least 150 pages, offers no prize except publication, but is free to enter.
  • Finally, Quagmire magazine’s second competition offers a prize of $350 CAD for stories between 1,000 and 5,000 words on the theme ‘Meaning, Purpose, Existentialism, Absurdism’. Entry is $10 CAD

Good luck if you enter any of these, and do let me know if you get anywhere!

Dying Teddies

My story ‘Dying Teddy Bears’ ultimately got sixth place in the literary category of the Writer’s Digest competition. Writer’s Digest gives a generous number of prizes, so I’m getting a $25 voucher and a year’s free subscription. This bumps my sagging average back up to the historic level of one story recognised for every eight entered, so that’s encouraging.

August 2023 competitions

Here’s my regular look at writing competitions I might enter during the coming month.. 

  • The Scottish Association of Writers has the Westerwood competition for stories of 2-3,000 words. Entry is £7 with a parsimonious prize of £100. The deadline is 5 August.
  • Uncharted Magazine wants 1,001 to 5,000 words. Entry is $20 and the prize a more generous $2,000. Stories must be on the theme ‘The Aftermath’, and in one of the three genres they publish: SF/F, Thriller/Horror and Mystery/Crime. The deadline is 6 August.
  • Gival’s regular contest is with us again: 5-15,000 words, entry $25, top prize $1,000, enter by 8 August.
  • Periscope wants briefer stories, up to 1,500 words, on the theme ‘Identity’. £10 entry, first prize £1,000 and the deadline is 15 August.
  • Louise Walters is back with the competition based on page 100 of your novel. It’s £5 to enter: no money prize but a full editorial report and a box of books. Deadline 20 August.
  • The Summer version of the Masters Review competition is back – up to 6,000 words, $20 to enter and a prize of $3,000. The deadline is 27 August.

All the rest have a deadline of 31 August.

  • Creative Writing Ink wants up to 3,000 words, entry is £9 and the prize £1,000.
  • Bit of a fanfare for the University of New Orleans’s Publishing Laboratory, who are offering a prize of $10,000 plus publication. For that they want a full-length novel or collection (no word or page limit) and an entry fee of $28.
  • On a more modest scale, Anthology wants a maximum of 1,500 words, for an entry fee of £18 and a prize of £1,000.
  • Letter Review looks for up to 5,000 words. Your £20 entry fee gets you access to a £1,000 prize pot to be split three ways – so £333.33, I suppose.
  • Aesthetica Magazine puzzles me slightly, because it seems to be an avant-garde publication about art and design rather than a literary one. But the competition claims former winners have gone on to great success. It’s £18 to enter, with a prize of £2,500. Up to 2,000 words. 
  • The Kenneth Patchen award is for an innnovative, experimental novel of any length. $25 to enter, win $1,000 and publication.
  • St Lawrence look for a collection of 120-280 pages. $28 gets you a shot at $1,000.

Good luck if you enter any of these, and do let me know if you get anywhere!

July 2023 Competitions

Here’s my regular look at writing competitions I might enter during the coming month (so no poetry or competitions that arenot open to UK writers, for example).

  • Leicester Writes wants up to 3,500 words, with an entry fee of £7.00 and a prize of £175. The deadline is 2 July.
  • Liminisa offers a week’s writing holiday at their retreat in Greece: entry is free, but you must follow them on social media. The maximum word count  is 1,500 and the theme is ‘A Room of One’s Own’, Deadline 2 July.
  • Story Quarterly (from Rutgers) will take pieces up to 6,250 words: entry is $15 and the top prize £500. The deadline is 9 July.
  • The H.G.Wells competition is back, with a theme of ‘Motion’. Up to 5,000 words, with a deadline of 10 July. The top prize is £1,000, while entry is £10.
  • Wrekin Writers are again running the Doris Gooderson competition, with a deadline of 12 July. They want up to 1,200 words, entry is £5 and the top prize is £200: at least half the funds raised will go to the Severn Hospice.
  • Hastings Book Festival has a word limit of 2,500, and entry fee of £7.50 and a prize of £250: deadline 14 July.
  • LISP wants up to 3,000, with a deadline of 15 July.  Prizes have been shrinking recently, but I have to say this one does not look generous: £100 against an entry fee of £15.50. Earlier in the year, I must acknowledge, the fee would have been lower, but still – a prize that’s less than seven times the entry cost?
  • The Adrift competition from Driftwood magazine will take pieces of up to 6,000 words: entry is $11, the prize is $500 and the deadline is again 15 July.
  • With the same deadline, the Petrichor prize from Regal House looks for 100-350 pages of ‘finely crafted’ fiction. Entry is $25 and the prize $1,000.
  • Hawk Mountain looks for a book-length collection of short stories: entry is $20 and the prize $1,000 plus publication. Deadline 15 July.
  • One more with the same deadline: the Francine Ringold Award from Nimrod, open to pieces of up to 5,000 words, entry $12 and prize $500.
  • The Aurora Prize, from the writers of the East Midlands, seeks up to 2,000 words. Entry is £9 and the prize is £500 plus a year’s membership of the Society of Authors: enter by 19 July.
  • Munster Lit is back with the annual Séan Ó Faoláin competition. Entry is  €19 and the prize €2,000 plus a writing residency. The closing date is 31 July, as it is for all the remaining competitions.
  • Creative Writing Ink want 3,000 words max, with a fee of £9 and a prize of £1,000.
  • The Olga Sinclair prize, from Norwich, looks for up to 2,000 on the theme ‘The Sea’. Entry is £9 and the prize is £500.
  • The Global Novel Writing Competition is free to enter, but there is no cash prize. Instead, you get free entry on to a course at the Writers’ College. They want first chapters up to 6,000 words plus a synopsis

Good luck if you enter any of these; if you get anywhere, please do let me know!

January 2023 Competitions

A selection of writing competitions I might enter during the coming month, with no pretence of being a comprehensive list.

  • The Exeter Novel Prize requires your first 10,000 words and a synopsis: £20 to enter, with a prize of £1,000. The deadline is 1 January (though I’d be surprised if anyone is reading your excerpt on 2 January).
  • The European Society of Literature is running the European Writing Prize. Brits can still enter in spite of Brexit (in fact anyone  from anywhere). Entry is free, and the prize is €50 plus life membership (and think of the prestige!) They want between 1,500 and 3,500 words on the theme of ‘Anxiety’. To help with getting into the mood, the deadline is 1 January. They say results will be out by the end of the month, which is a bit hard to believe.
  • If you’ve got an excess of anxiety after that, you could try the Disquiet Literary Prize. 25 pages max, entry $15, prize $1,000, and for this one you’ve got until 2 January.
  • Cheering up, we have the regular Henshaw competition: as ever, it’s for 2,000 words, entry £6, prize £200. The deadline is 6 January.
  • What about trying non-fiction? The Nine Dots prize is for an essay on ‘Why the Rule of Law has become so fragile’. Really they are looking for something that will be developed into a full-length book. You need to provide 3,000 words, a structure, and a justification statement, but you’ve got until 23 January. Entry is free. Why are you thinking of non-fiction all of a sudden, you ask: well, it just seems attractive. The prize is $100,000.
  • The Bournemouth (Fresher) Writing Prize wants 3,000 words. It’s £7 to enter and you could win £500 plus feedback and a professional recording of your work. The deadline is 27 January.
  • The Face Project only wants 1,000 words and entry is free, but the only prize is publication, albeit in a unique new production. Your story must be inspired by one of the 28 pictures of faces on their site. Deadline is 29th (not 28th?)
  • The Thomas Wolfe Fiction Prize has a limit of 3000 words: entry is $25, top prize $1,000 and the deadline is 30 January.

The rest all have a deadline of 31 January.

  • The Masters Review is back with its winter award. Up to 6,000 words, $20 to enter, and top prize is $3,000.
  • .The Parracombe prize has come back with a higher word limit – 2023 instead of last year’s 2022 (yes, I see what you did, Parracombe!) Entry is £5, the prize £150.
  • Askew’s Word on the Lake festival offers a prize of $200 (Canadian) for stories up to 1,500 words: entry is $15.
  • Finally the swamp pink prize from Crazy Horse wants up to 25 pages: entry is $20 and the prize $2,000.

If you get somewhere with one of these, do let me know

December 2022 Competitions

Here are the writing competitions I might enter with deadlines in December. I haven’t found all that many this month, especially British competitions. Most of these are American ones, but I believe they are all open to international entries.

  • Chimera are looking for fantasy novels (at least 50,000 words) submit the first 10,000 words with a one-page synopsis. Entry is £6 and the prize is a whacking £2,500 It’s.probably  too late to start writing, though: the deadline is 1 December
  • The St Louis Writers’ Guild has been running its annual competition for over a hundred years: previous winners include Tennessee Williams. However, first prize is a mere $50. Honourable Mentions get $10, which is actually less than the $15 entry fee. The word limit is 3,000 and again the deadline is 1 December.
  • Crazy Cats Theatre want a chaotic and/or violent story about the twelve days of Christmas, of up to 2,500 words. Entry is £10, the prize £100, and twelve stories will be published online. The deadline is 6 December. 
  • Omnidawn is back, again looking for fabulist stories between 7,500 and 17,500 words. $18 to enter, and a respectable prize of $1,000. Deadline 6 December.
  • Third Coast want stories up to 9,000 words long: entry is $15 and top prize is again $1,000. The deadline is 15 December.
  • Writers Digest has a ‘Short short story’ contest, for pieces up to 1,500 words (hey, I’ve read shorter). $35 entry, and a decent prize of $3,000. Get your entry in by 15 December.
  • Sunspot Lit are running a ‘Goldilocks Zone’ competition for stories that have the balance between fine literary writing and popular appeal just right. Up to 2,500 words, entry is $9.50 and the prize is $200. The deadline is 19 December..
  • The Kind Writers are looking for like-minded folk. They want stories up to 3,500 words (though they are open to a range of creative works), with an entry fee of $10 and a prize of $150. You must provide a short biography setting out the acts of kindness which qualify you to compete. The deadline is 30 December.

The last three all have a deadline of 31 December.

  • Write Time is for over-sixties (why yes, I really am that old). 1,500 words, entry £3, prize £50.
  • The Lascaux Review offers $1,000 for stories up to 10,000 words: entry is $15.
  • Boulevard magazine’s Emerging Writers competition allows up to 8,000 words and their entry fee is $16: the prize is $1,500

Let me know if you succeed with any of these, and Merry Christmas!