Tag: competition

October ’21 Competitions

September 16, 2021

Here are the writing competitions with deadlines in October that I might enter – so mainly short stories and novels, with no poetry or flash.

  • The Jeffrey E. Smith contest wants stories up to 8,500 words: the entry fee is $25 and top prize is $5,000, with a deadline of 1 October.
  • With the same deadline, the Grindstone International Novel Prize needs 25 pages of a complete novel plus a synopsis. Entry is £18, first prize is £1,000.
  • Zoetrope wants literary stories up to 5,000 words. Entry is $30, the prize is $1,000, and again the deadline is 1 October.
  • Galley Beggar Press offer £2,000 for stories up,to 6,000 words, with an entry fee of £10 – the deadline/ is 10 October.
  • The Calvino Prize is for pieces in the magic realist spirit of Italo Calvino. Submit up to 25 pages  by15 October with a fee of $25 for a top prize of $2,000. (I was a finalist last year, but I’ve got no inspiration this time round.)
  • Black Spring want those strange, imperfect but promising pieces from your bottom drawer, of 40 to 1,000 pages. Entry is free, and the winner gets a publication contract.
  • The Create the Future prize seeks writing about climate change of up to 2,000 words that addresses one of three questions they pose. Entry is free: the winner will be published online and (if in the UK) receive a ‘bundle’ of Delphis Eco cleaning products. Deadline 17 October.
  • Omnidawn want fabulist stories – quite hefty ones, between 7,500 and 17,500 words. Entry is $18, and the winner gets $1,000 plus 100 copies of the printed version (a chapbook). What would I do with 100 copies? The deadline is 18 October.
  • Beartooth Anthony  is looking for your best Halloween campfire stories, of any length, the scarier the better. Entry is free, and the winner gets a really nice hammock. Enter by 22 October.
  • This year the Dinesh Alirajah contest is looking for crime stories between 2,000 and 6,000 words. It’s free, and you could win £500. The deadline is 29 October.

All the rest have a deadline of 31 October.

  • The Bedford competition is for stories up to 3,000 words and the top prize is £1,000. Entry is £7.50 or a bargain three goes for £15.
  • Southport Writer’s Circle want 2,000 words. Entry is £3 and first prize is £150.
  • Cranked Anvil look for a slim 1,500 words: entry is £5 and first prize £150.
  • Finally, the Dillydoun International Fiction Prize offers $2,000 for a story up to a chunky 8,000 words: entry is $25.
  • A late addition – the Fiction Factory competition has a maximum word count of 3,000 and a deadline of 31 October. Entry is £6 (discounts for multiple entries)

Good luck – if you get anywhere with these, do let me know!

September 2021 Competitions

August 19, 2021

Here’s my regular look at writing competitions I might enter during the coming month. The ones I know of seem to be grouped in the later part of the month (which I suppose means more time, though things could be hectic on 30th!). This month we’ve got several unusual formats, and quite a few freebies.

  • The Lee Smith Novel Prize is free to enter (yay!) though you can make a voluntary donation. You only need a minimum of 25,000 words, which is pretty slim for a novel. Top prize is $1,000 and publication. 
  • Those lively people at Globe Soup are running another 7-day contest. You register in advance (by 6 Sept), and then get assigned a theme and genre for your story, which must be written in 7 days! Word counts can be up to 2,000, the prize is £500, and again, it’s free (yay again). Looks like fun, but I don’t know how I would manage with some genres.
  • Impress invite submissions of a proposal, synopsis and sample chapter (up to 6,000 words) of your book. The entry fee is £25, the prize is £500, and you might be published. The deadline is 13 September.
  • Dream of Shadows wants stories about Halloween Monsters. The entry fee is £6 with a prize of £300, max 1,500 words and the deadline is 15 September.
  • You think seven days isn’t much time? The Mollie Savage Memorial Writing Contest (formerly Three Cheers and a Tiger) from Toasted Cheese  is a 48-hour short story writing contest which runs twice a year. Topic and word count will be revealed on 17th September (we know it’s fantasy/SF) and entries must be in by 19th. First prize is $35, or $50 if they get more than fifty entries. It’s free (three yays!).
  • Streetcake Magazine want up to 2,500 words and they want them experimental in style. Entry is free (what’s going on this month?); no cash prize but some mentoring, networking, and a book bundle. The deadline is 20th September.
  • Dream Quest One offer a prize of $500 for a story of up to five pages, with an entry fee of $10 and a deadline of 22nd September.
  • Beechmore are looking for pieces of writing on the theme ‘Perspective’, and their top prize is £200 plus a year’s supply of their journals. And yes – it’s free to enter! The deadline is 25th September.
  • Literary Taxidermy is back! This is the contest where you are given the first and last lines of an existing work and you have to write a new story to fit between them. This year the first and last lines are from a short story by Katherine Mansfield. The maximum word count is 2,500, the entry fee is $10, and the top prize is $500. The deadline is 26th September.

All the others have a deadline of 30th September.

  • The First Page Challenge calls for, guess what, the first page of your novel. The entry fee is CA$5 and the top prize is CA$70 plus online publication and access to a course.
  • LWB, by contrast, want the hundredth page. You can enter a novella, but it must be at least 20,000 words. The entry fee is £7, and first prize is £50: you also get four books and  a report on your work.
  • The annual Hammond House competition is back. As before the maximum word count is 5,000. The entry fee is £10, the top prize is £1,000 and the theme is ‘Stardust’.
  • The Juniper Prize is for short story collections of 15 to 30 pages. The entry fee is $30: top prize is $1000.
  • Red Hen want a minimum of 150 pages: the entry fee is $25 and again the top prize is $1000.

I’ve been doing these posts for a year now – how time flies! Good luck if you enter any of these competitions; if you are long-listed, win, or get some recognition, please do let me know.

July 2021 Competitions

June 19, 2021
163FD447-50E2-4524-A839-A0AD1D070605 Here’s my regular look at writing competitions I might enter during the coming month (so no poetry or competitions not open to UK writers, for example). The majority have deadlines at the end of the month, so you mostly have a bit of time to work on a story.
  • Ambit seeks stories of up to 1,000 words (arguably flash fiction) on the classic Ovid/Kafka theme of ‘Metamorphosis’; the entry fee is £6 and the top prize is £500. You’ll need to get writing because the deadline is 1 July.
  • The Gutsy Great Novelist Page One competition requires only the first page of your novel-in-progress, by 7 June. The entry fee is $20 and the top prize $1,000.
  • The H.G.Wells prize is for stories between 1,500 and 5,000 words on the theme ‘mask’ with a fee of £21 and top prize of £500; the deadline is 12 July.
  • The Doris Gooderson prize from Wrekin Writers is for stories up to 1,200 words in length. The entry fee is £5, the prize £200, and the deadline is 13 July.
All the others have a deadline of 31 July.
  • The Novel London competition asks for your first 3,000 words plus a synopsis. It costs £11 to enter and the top prize is £500 (plus mentoring).
  • The Olga Sinclair Prize, from Norwich Writers’ Circle, is for stories on the theme ‘lost’. The word count limit is 2,000, the entry fee £9, and top prize £200.
  • The Seán O’Faoláin prize from Munster Literature is for stories up to 3,000 words, with an entry fee of €18 and prize of €2,000.
  • The Fiction Factory First Chapter competition requires, guess what, the first chapter of your completed novel. Although you can send a chapter of any length, it seems only the first 5,000 words will be taken into account. The entry fee is £18 and the top prize is £500.
  • Fabula Press is back and wants stories of up to 6,000 words; the fee is $10 and top prize $500.
  • The regular Cranked Anvil competition comes round again next month with a word limit of 1,500, entry fee of £5 and prize of £150.
  • Anthology offers a prize of €500 for stories up to 1,500 words on the theme ‘memories’.
  • HISSAC (Highlands and Islands, but you don’t have to be Scottish) wants stories up to 2,000 words; the entry fee is £5 and the prize £200.
  • Finally, you need a humorous piece of up to 2,500 words to enter the unique To Hull and Back competition. The entry fee is £15 and the cash prize is £1,200. In addition, a selection of stories will be published in an anthology, and the winning author’s face will be photoshopped into a dramatic picture showing them on a motorbike journey to Hull (think Meatloaf album cover). In addition, the organiser will strap the winner’s copy of the anthology to the front of his Harley Davidson and ride from Bristol to Hull and back, returning the book with whatever damage the elements may have inflicted along the way. I said it was unique!
Good luck if you enter any of these; if you are longlisted or win, please do let me know.

June 2021 Competitions

May 17, 2021
E13DC307-9469-405E-AA4F-42DEA099D1FB Here is my regular look at the short story/novel competitions I might enter next month (so no poetry, for example, because I’m rubbish at it). As always this is a purely personal selection, with no claim to be comprehensive – but it might be of interest. I hope some of these appeal to you.
  • Leicester Writes offers a prize of £150 for stories up to 3,500 words; the entrance fee is £5 and the deadline is 1 June.
  • With the same deadline, Salamander magazine has a top prize of $1,000 for stories of up to 30 pages; the entry fee is $15.
  • The Aurora prize from Writing East Midlands costs £9 to enter. First prize is £500 and the word count must be 2,000 or less – the deadline is 7 June.
Then we have several competitions with a deadline of 15 June.
  • First, Globe Soup is offering a top prize of £1,500 for stories up to 5,000 words with the theme ‘a sense of place’. The entry fee is £12, (or £3 for members). Globe Soup runs not one but two writing communities on Facebook, both lively and supportive – worth a look.
  • Segora offers £300 for a winning story of 1,500 to 3,000 words – the entry fee is £8.
  • If you’ve got something larger, Autumn House is looking for manuscripts of 50,000 to 75,000 words – a slim novel, I suppose. The entry fee is $30 and the prize is $1,000.
  • For older writers, Living Springs’ Baby Boomers Plus contest has a prize of $500 with an entry fee of $25; the maximum word count is 4,000 and you must have been born no later than 1966.
  • New American Fiction (you don’t have to be American – they helpfully say you could even be Estonian, so long as your entry is in English) looks for works of at least 100 pages; the prize is $1,500 and the entry fee is $25.
All the rest have a deadline of 30 June.
  • The Friends of Manning’s Pit have launched a Saki short story competition. It does not have to be in the style of Saki, but ‘it needs to have a spark of originality or wit’ (not my usual stuff then?) and ‘have something relevant to the countryside and its wildlife’. Maximum 3,000 words, entry fee £5 and first prize £500
  • The Moth is back with its competition for stories up to 5,000 words, with an entry fee of €15 and top prize of €3,000.
  • I don’t think I’m going to enter this one, but I was intrigued to see that Chiasmus wants stories of exactly 1,001 words. There’s an entry fee of £3.50 but no cash prize for the winner.
  • Lady in the Loft offers £100 for the best story on the theme ‘Grim Reaper’, with a word count between 4,000 and 6,000 words; entry fee £2.
  • Last but certainly not least is the regular Henshaw competition, for stories up to 2,000 words. The top prize is £200 and the entry fee is £6. You can pay extra fir a critique, and I have found these good value in the past.
Good luck, and if you get recognised in any of these, please do let me know!

May 2021 Competitions

April 22, 2021
2557C494-0E41-4DB3-A6AB-62635E77333BCraft Short Fiction Prize is for stories up to 5,000 words. The entry fee is $20 and the top prize $2,000 (plus a subscription). Time is running out already as the deadline is 2 May.
  • Only one day later we have the deadline for the Australian Book Review Elizabeth Jolley Prize. Again the maximum word count is 5,000: the entry fee is AU$25 (less for subscribers) and the first prize is AU$6,000.
  • The Bristol Prize has a deadline of 5 May for stories up to 4,000 words; it’s £9 to enter and you can win £1,000.
  • Word Periscope wants stories on the theme ‘Time’, up to a mere 1,500 words, and offers a prize of £1,500. You’ve got until 15 May. The entry fee is £7, or for £15 you can also have feedback.
  • The Raymond Carver prize also has a deadline of 15 May; the word limit is a spacious 10,000, the entry fee $17 and top prize $2,000.
  • Chiplitfest, with a deadline of 16 May, lets you choose your word limit. If you’re happy with 2,500 words, you pay £5 to enter, but you can go up to 5,000 if you pay £8. Either way the first prize is just £500.
  • City Academy is running an unusual contest which seems almost like a mini writing course. You register your interest and receive a series of prompts and exercises. This has been going on for a while already, so if you register now you’ll get all the earlier stuff in one go. The actual entry doesn’t have to be in until 25 May, and the entry fee is £15 (sounds like good value if you fancy a mini-course thrown in). Top prize is £1,000.
  • The Wit to Woo wants pieces up to 10,000 words (which need not be about dating, or indeed, owls – the competition is amiably headlined ‘Write What You Like’). The entry fee is £7, top prize £1,500, and the deadline is 28 May.
  • With a deadline of 31 May (I think) the complicated Page Turner Awards include one for the first ten pages of completed novel manuscripts. Pricing includes an early bird option (too late already, sorry), and there are bronze, silver, and gold options whereby you can pay more for a whole range of extras; the basic seems to be £30, but if you can find out what the prize is, please let me know. It might be unfair, but I couldn’t help feeling that selling the extras and a writing software package is what the labyrinthine website is really about. Shame, but I think I might pass.
  • The BPA First Novel Award asks for your first 5,000 words plus a synopsis; entry is £20 and the prize £1,000; deadline 31 May.
  • The prestigious Bridport competition also has a deadline of 31 May. You can enter stories up to 5,000 words for £12 and the top prize is £5,000.
  • Swoop Books wants stories on the theme ‘Love Locks’, with word limits of 2-3,000. The entry fee is £5 and prize just £100, deadline 31 May.
  • Finally the Queen Mary Wasafiri prize, also with a deadline of 31 May,   has a top prize of £1,000; entry is £10, and the word limit is 3,000. I think a prior look at Wasafiri magazine would be helpful if you want to try for this one.
Good Luck! If you win any of these, let me know! PostScript. Charlotte Wakefield from the Page Turner Awards has helpfully contacted me with some clarification. She says: The deadline is the 31st May, that’s correct, and submission fees start from £30 depending on which membership option or optional extras you might be interested in. You were interested to know more about the prizes, which you can browse here – 2021 Award Prizes | Page Turner Awards. Our mission is to offer meaningful prizes to new writers and established authors, ranging from mentorship to publishing packages to audiobook production.  You can find further details about our awards on our site here – About Us | Page Turner Awards If you have any further questions about the awards, I’d be happy to help.  Feel free to also browse testimonials from last year’s entrants here – Awards Testimonials | Page Turner Awards This should help give you an understanding of what we’re all about.  To enter, you must first register your details. Then, you can log in and enter your submission. You can register and enter here – Enter In Two Steps | Page Turner Awards Please do check that you’re entering for the appropriate award category. There are different criteria depending on whether your work is published or unpublished, and completed or uncompleted. You can browse the 5 award categories here – 2021 Award Categories | Page Turner Awards I’m grateful for the trouble she has taken, and pass that on for your information.

April 2021 Competitions

March 17, 2021
E4BDAEA9-C78B-4719-BF55-76D1CBC63DD8 Here are the writing competitions I might enter in April.  As always this is a purely personal selection (eg, no poetry, YA or flash, nothing where you have to send a paper ms by post or pay the entrance fee by bank transfer), with no claim to be comprehensive. Not quite so many this month.
  • A big one to start with, though.  The Alpine Fellowship prize is free to enter, but has an impressive top prize of £10,000, plus an invitation to their annual international conference. Only one 3ntry per writer. The theme is Untamed: On Wilderness and Civilization and the deadline is 1 April, so if you haven’t got a story ready to go, you’ll need to get moving. The maximum word count is 2,500.
  • The Tusculum Review wants stories between 2,000 and 6,500 words; the entry fee is $15 (though that also gets you a year’s subscription) and the top prize $1,000. The deadline is 2 April.
  • Top prize for the H.E.Bates competition is £500, with an entry fee of £6 (discounts for multiple entries) and a word limit of 2,000; the deadline is 5 April.
  • Desperate Literature seeks stories up to 2,000 words; the entry fee is €20 and first prize €1,500 plus a week’s residency at the Civitella Ranieri Foundation The deadline is 15 April.
  • The same deadline applies for the New Ohio Review competition; the fee is $22, the prize $1,500 and maximum length is 20 pages.
  • The White Review looks for avant-garde stuff from writers resident in the UK or Ireland. Word count should be between 2,000 and 7,000; the entry fee is £15 and top prize £2,500. The deadline is 26 April.
  • F(r)iction magazine is again looking for stories up to 7,500 words. First prize is $1,600 and entry is $15, with a deadline of 29 April.
  • The Yeovil Literary Prize has several categories, including an ‘anything goes’ one. For the short story category the word limit is 2,000. The fee is £8 and top prize £600. The deadline is 30 April.
  • Finally, the Tom Howard/John H Reid competition accepts essays as well as fiction, with a prize of $3,000 dollars each; 6,000 words max, with a $20 entry fee and a 30 April deadline.
Good Luck! If you win any of these, let me know!

March 2021 Competitions

February 17, 2021
2FB2E518-945E-4DE2-9EF6-3C53AFEB97BA Here are the writing competitions I might enter in March (eg, no poetry, YA or flash – a couple of really short shorts , though. Below a thousand words is a bit of a squeeze for me).

It looks like a busy month.

  • The Bridgend Writer’s Circle offers a first prize of £100 for stories between 1,500 and 1,800 words – entry fee £5 and a deadline of 1 March
  • The Elmbridge Literary Competition seeks stories of up to 1,400 words on the theme of ‘music’. The entry fee is £5 and top prize £250; the deadline is 5  March.
  • The Stella Kupferberg prize is one of those tight ones, with a limit of a mere 750 words. It’s associated with American public radio; besides a prize of $1,000, the winner gets their story professionally read and gains free entry to a ten-week course (not sure if this is accessible online). Entry is $25 and the deadline is 5 March.
  • The Fowey Festival offers a prize of £200 for a story on the theme of ‘breaking point’. The entry fee is £10 and the deadline is 7 March.
  • Wild Hunt magazine is celebrating its fifth birthday by running its first competition. A reasonable 3,000 word limit applies, and a fee of £4 with a prize of £200. No theme, but stories should embrace the ethos and mission of the magazine, which ‘celebrates the weird, surreal, the other, and imaginary worlds’. Deadline 9 March.
  • The Nelligan Prize is for a story of 10-50 pages or 2,500 to a whopping 12,500 words. Entry is $15, the top prize is $2,000 and entries must be in by 15 March.
  • Harper’s Bazaar wants stories up to 2,200 words on the subject of ‘Threads’. It’s free to enter, but there is no money prize, just publication and two nights at the Mitre Hotel in Hampton Court. The deadline is 15 March.
  • I love this one. Silver Apples offers a prize of €100 for a story of 1,500 to 5,000 words, with an entry fee of €10. All entries must have been previously rejected by publishers or failed in an earlier competition! The deadline is 17 March.
  • You’ll need a full completed novel manuscript (at least 50,000 words) for the Daniel Goldsmith First Novel Prize. Entry is £25 and you can win £1,000. The deadline is 30 March.

Then as usual we have a clutch of competitions with deadlines at the end of the month.

  • The regular Henshaw competition requires stories up to 2,000 words; entry is £6 and the first prize is £200.
  • The Short Fiction/University of Essex prize has an entry fee of £7 and a prize of £500 for stories up to 5,000 words. There is an additional prize for ‘Wild Writing’ which goes to an entry on nature/the environment.
  • The Ernest Hemingway Short Fiction Prize is run by Fiction Southeast and apparently  has no direct connection with the author or his granddaughter Lorian, who used to run a regular short story contest. Enter a story up to 1,500 words for $10 and you could win $200.
  • The Clay Reynolds Prize is for a novella (20,000 to 50,000 words) and offers an advance of $500 and a publishing contract. There’s an entry fee of $20.
  • Finally, the Bethlehem Writers want a story with an element of mystery, up to 2,000 words. They plan to produce an anthology of stories that are ‘Sweet, funny and strange’. Entry is $15, first prize is $250.

Good Luck! If you win any of these, let me know!

February 2021 Competitions

January 16, 2021
Here are the writing competitions with February deadlines I’m considering. Not quite so many this month, which should give me a chance to catch up.
  • Accenti is apparently a Canadian magazine with an Italian emphasis. Your piece can be on any topic. I sort of wonder whether it might need an Italian link, though it should definitely be in English. Non-fiction is allowed, but not poetry, plays, or essays. They’re looking for up to 2,000 words, the entry fee is $30 and the top prize $1,000. The deadline is 1 Feb.
  • The Papatango play competition is back in a new form this year; normally the winner gets a full production and tour, but That Thing has made it difficult and for one year only they’re asking for an audio play, of 25 to 50 minutes (about the same number of pages. Entry is free and they provide substantial feedback to all entrants, which is a pretty good deal. There’ll be three winners this year with a top prize of £2,000 as well as audio production for all three. The deadline is 7 Feb.
  • Another welcome freebie is the Artists and Writers Prize (yes, associated with the indispensable Yearbook). The top prize is an Arvon residential course, with publication on the website. These courses have a good reputation, but if you don’t want to go on one (as I don’t) the glory alone might not justify entering. Stories of up to 2,000 words are called for, and the deadline is 12 Feb.
  • The Mary McCarthy Prize from Sarabande Books requires a manuscript of 150-200 pages, and an entry fee of $29. The winner gets $2,000 plus publication. The website gives a deadline of 15 Feb, but the Submittable page seems to say 21 Feb.
  • My mind is slightly blown by the Puchi award. La Casa Encendida and Fulgencio Pimentel are looking for any kind of book project (comics, non-fiction, finished, unfinished, long, short, whatever), so long as it’s amazing. It can also be in any language, though at least a couple of pages and the supporting documents need to be in English. The prize is €8,000 plus publication and the deadline is 18 Feb.
  • The Grace Paley Prize is part of the AWP award series; there’s an entry fee of $30 and a prize of $5,500 for stories of 150 to 300 pages; submit by 28 Feb.
  • Finally, with the same deadline, the Scottish Arts Club wants stories of up to 2,000 words, with an entry fee of £10 and a top prize of £1,000. You do not have to be Scottish, though if you are, you’re eligible for another award.
The very best of luck – if you win any of these, please let me know!

January 2021 Competitions

December 17, 2020
Here are the writing competitions I might enter in January. I seem to have picked up more from the USA this time. Some of these have a bit of a local feel – I haven’t seen one with any actual restriction, but I feel a bit shy about entering a competition that has never previously been won by someone who wasn’t from North Carolina…
  • The Exeter Novel Prize has a deadline of 1 January (I don’t believe they’ll get much reading done that day, though). First 10,000 words with a 500 word synopsis – first prize £500
  • Also with a 1 Jan deadline, Crazyhorse  magazine wants stories of 2,500 to 8,500 words or 25 pages. The entry fee is $3 and top prize is $2,000 plus publication in the magazine.
  • Bayou magazine will give you marginally more time if you want to go in for the James Knudsen prize, with a deadline of 2 January. Submit stories up to 7,500 words; there’s an entry fee of $20 and a prize of $1,000 plus a year’s subscription.
  • The regular Henshaw competition has a deadline of 6 January with a first prize of £200. They want up to 2,000 words and the entry fee is £6.
  • The Mogford prize offers a whopping £10,000 for a story about food and drink, up to 2,500 words. The deadline is 13 January, with an entry fee of £15.
  • The K Margaret Grossman award, run by Literal Latte journal, offers a prize of $1000 for stories of up to 10,000 words, deadline 15 January. There’s $10 entrance fee, or you can enter twice for $15. They say that all entries are considered for publication, but the journal appears to be in trouble. It hasn’t published since its Fall 2018 number, so some scepticism seems excusable.
  • The Bournemouth Writing Prize (previously known as the Fresher Prize) seeks stories up to 3,000 words, offering a top prize of £500 plus feedback. Th entry fee is £7 and the deadline is 25 January.
Then we have the usual clutch of competitions with a deadline of the end of the month,  31 January.
  • Mighty Pens have a modest top prize of a £50 M&S gift card – but also a certificate and publication in their magazine. They want 500 to 1,000 words on the theme of ‘Winter’ (or possibly ‘Tears in Winter’ – that’s also mentioned at one point).
  • The Parracombe Prize has a word limit of 2,020 (see what they did there), a first prize of £100 and an entry fee of £5.
  • Secret Attic’s Long Short Story competition (they do have a short one as well) requires stories of 1,500 to 3,000 words (not all that long, then). Entry fee is £3.00, top prize is £100 plus publication in their ‘booklet’.
  • The Winter Anthology, by contrast, has no hang-ups about word counts: send us as much as you like, they say. The top prize is $1,000, with an entry fee of $11.00. The winner is published in the latest anthology, and finalists are also considered for publication. They warn that if entries are not good enough, they will not award a prize; their Submittable page says reassuringly that this has never happened, but their webpage says it happened last year…
  • Finally, it’s a bit out of my comfort zone,  but the Fish Short Memoir competition has an entry fee of €18 and a top prize of €1000, plus publication in the Fish anthology.
A bit early, but I wish you a productive and successful New Year!

November Competitions

October 20, 2020
Here’s my look at writing contests I’m thinking of entering next month.
  • The Caledonia Novel Award offers a top prize of £1,500, and for the best entrant from the UK and Ireland, a week-long course at the Moniack Mhor Creative Writing Centre. The judge is literary agent Laura Williams, who I believe is keen to find new talent; entrants cannot already have representation. They want the first 200 pages plus a 200 word synopsis (rather tight); the deadline is 1 November so you need to get moving quickly.
  • Also with a 1 November deadline is the Commonwealth Short Story Prize. This is judged in regions (1. Africa, 2. Asia, 3. Canada and Europe, 4. Caribbean and 5. Pacific.); regional winners get £2,500, with the overall winner getting £5,000. Entries in certain languages other than English are permitted (no idea how they judge across languages, and not all Commonwealth languages are covered – not even Hindi, it seems, though you can write in Bengali). If a winning entry is a translation, the translator gets a small extra prize, which is nice. They are looking for 2-5,000 words, one entry per writer.
  • Sutton Writers, that excellent group, invites Christmas ghost stories of up to 1,500 words, deadline Friday 13 November… In addition to online publication there will be a cash prize made up of the entry fees (£5 per story), so the more people enter, the bigger the prize!
  • Tripfiction promotes books with a strong sense of location, offering members a database where they can find recommended books about any particular place. Their competition encourages you to write some more of that kind of thing. They’re looking for 750 to 3,000 words with a strong ‘sense of place’; they provide more detailed tips, but only after you’ve registered (free) and signed up to enter. Top prize is £300, the deadline is 15 November.
  • Hope Mill Theatre is looking for plays of at least an hour’s length; top prize is £5,000 and a full performance. Finalists also get a scene performed and one-to-one mentoring sessions.  You need to submit the script, a short biog, synopsis and character list (thought a character list was a standard part of a script anyway?) all by 27 November.
  • Fiction Factory offers a top prize of £300 for stories up to 3,000 words, with a deadline of 30 November. Top stories will be published in an anthology. The judge is Tim Symonds, who writes stories about Sherlock Holmes, which might be a clue to what’s likely to go down well.
  • Last but certainly not least we have the prestigious Fish Prize for stories of up to 5,000 words. Top prize is €3,000 plus a 5 day Short Story Workshop at the West Cork Literary Festival. Second place brings a week at Anam Cara Writers’ Retreat and €300.  Even the honourable mentions get €200, and the top ten stories will be published in an anthology. The deadline is 30 November.
I have to admit I’m still working on October competitions…