December 2025 Competitions


Here is another monthly round-up, covering competitions with deadlines in December.

As always, these are contests I may enter myself, so generally no poetry or flash and no competition that isn’t open to an elderly bloke in the UK. Prizes and entry fees vary a lot, so check the benefits to see whether they appeal to you. There is no point in entering a competition if you don’t even want the prize! In some cases the entry fee amounts to a large slice of the prize, though there may be other benefits such as publication, trophies, free books or courses, etc.

If you do get anywhere with any of these, please do let me know.

ContestWord CountFeePrizeDeadlineDetails
Breakwater Review4,000$10$100001/12/2025 
St Louis Writers Guild3,000$15$5001/12/2025Poor value? 
Neilma Sidney3,000$20$5,00005/12/2025Travel
Chaotic Creators1,250£10.00£50 + pub06/12/2025Small prize? 
Leopold Bloom Prize5,000$10 ($15 quicker)$50008/12/2025‘Risk-adept narration’
Masters Review Chapbook25-45p$25$3000 +50 copies15/12/2025 
Globe Soup8,000£16.00£2,00016/12/2025 
Ruth Rendell1,000£15.00£1,000 plus performance21/12/2025Interact Stroke Support (upbeat stories)
Letter Review5,000$20share $1,00030/12/2025 
Anthony Veasna So9000 (3 pieces)$20$20031/12/2025 To become an ‘Anthony Veasna So Scholar’
Boulevard8,000$18$1,50031/12/2025 
Danahy5,000$20$100031/12/2025 
Lascaux Review10k$15$1,000 + medallion31/12/2025 
Write Time1,500£5 (£3 for £10)£100.0031/12/2025 Older writers
Farnham First Five Pages 5p + syn£10.00£1,00031/12/2025For draft novels 
Inkitt Love at First Kick Min 20k No LimitFree$300 + various31/12/2025 Soccer Romance. Linked with Galatea.
ASP Anthology 2-7k£5.00£0.005/word31/12/2025UK only, no horror or disturbing content
Henshaw (Hobeck) 2k£6.00£20031/12/2025 The old warhorse, still going.

August 2025 Competitions

A selection of writing competitions that I might enter with deadlines in August.

  • The Robert Watson Literary Prize, worth $1,000 is from the Greensboro Review. The word limit is 7,500. Entry is only open to subscribers and a subscription is $15: deadline 1 August.
  • The Cream City Review (Milwaukee’s leading literary journal) does it the other way round: entry is $15 and comes with a year’s free subscription. The word limit is 9,000 and the top prize is $500. Enter by 1 August.
  • The Aurora Prize from Writing East Midlands takes up to 2,000 words and charges £9 for entry, with a prize of £500 and a year’s membership of the Society of Authors. The deadline is 6 August.
  • The H.G.Wells Prize looks for stories up to 5,000 words on the theme ‘The Middle Ground’. £10 entry, prize £1,000, deadline 8 August.
  • The Craft First Chapters competition wants your first 5,000 words: entry is $20 and the prize $2,000, closing on 10 August.
  • The Bournemouth Writing Prize looks for up to 3,000 words and will charge you £10, with a prize of £1,000, deadline 15 August.
  • The Black Warrior contest will accept stories up to 6,000 words and it’s $20 to enter. The winning story will be published and there is a cash prize, but I have been unable to find out how much it is, which sort of suggests they’re not proud of it. The deadline is 16 August.
  • Book Pipeline wants your first 5,000 words plus a synopsis. Entry is $45 and the category prize is $2,500. Enter by 20 August.
  • Pen and Quill’s competition is free to enter: you could win $200 plus books and a subscription. They look for 1,500 words on the theme Afterlight/Afterglow (which they explain further on their website). The deadline is 21 August.
  • The Scottish Association of Writers brings us the Westerwood Prize, with a word limit of 2,500 and a £10 entry fee. This year instead of £100 the top prize is dinner, bed and breakfast at the Westerwood Hotel, Cumbernauld’s classiest spa and golf resort. The contest closes on 24 August.
  • A bit of a departure now. Not Quite Write is known for its Flash Fiction contest: now there’s a Flesh Fiction one for erotic stories. Up to 1,500 words, free to enter, with a prize of $500 plus a trophy (not sure what form the trophy takes).
  • Those fine folk at the World History Encyclopaedia are back with their Ink of Ages prize, for stories about history or mythology. Up to 2,000 words, free to enter, and you could win $1,000. In addition one of their artists will do some nice work for your book or story. Enter by 29 August.

All the rest have a deadline of 31 August.

  • First I have to mention the Ajuda Foundation prize, which promotes the worthy cause of mental health support in Wales. Stories, which can be up to 2,000 words, must be related to themes of mental health and wellbeing. £10 to enter, a prize of £100.
  • The Oxford Flash Fiction competition takes pieces up to 1,000 words: it’s £7 to enter and the prize is £1,000.
  • Aesthetica is back yet again looking for 2,000 words and an entry fee of £18. Win £2,500 plus subscriptions and a course.
  • Publishing Lab, from New Orleans, wants a novel or collection and for a $28 fee offers a hefty $10,000 prize.
  • Saveas wants stories up to 3,500 words on the theme ‘Facing the Storm’, entry fee £5, first prize £200.
  • The Cisco Writers Club have a limit of 2,500 words, fee of $5 and prize of $100.
  • The LA Review has the same word limit but charges a little more, at $20: however, their prize is a full $1,000

If you get anywhere with any of these, do let me know.

July 2025 Competitions

Here’s another look at writing competitions I might enter during the coming month.

  • The Goldenberg Prize from Bellevue Literary Review is for stories up to 5,000 words, the entry fee is $20 and first prize $1,000. Enter by 1 July.
  • The Slice from Forkapple Press wants a collection of at least 5 stories amounting to 150-200 pages. It’s $20 to enter: the winner gets $500, some copies, and 25% of profits on publication. Like the sound of that. Again the deadline is 1 July.
  • For Hastings Book Festival you need a story up to 2,500 words. It’s a strangely precise £8.25 to enter with a prize of £250 and the deadline is 8 July.
  • The H.G.Wells prize is back, looking for 1,500 to 5,000 words on the theme ‘The Middle Ground’. £10 entry, prize £500. Again the deadline is 8 July.
  • The Doris Gooderson prize from Wrekin Writers looks for 1,200 words: £5 and a £200 prize. You have until 14 July to enter.
  • For the New American Fiction competition you need a full work of at least 100 pages, but it can be a collection of short stories or even flash fiction. It costs $25 to enter and you can win $1,500. The deadline is 15 July.
  • The Adrift short story competition from Driftwood Press has the same deadline and a word limit of 6,000. The prize is $500 which perhaps doesn’t look the best value given the entry fee of $30.
  • The Petrichor prize (for finely crafted fiction), from Regal House Publishing looks for somewhere between 100 and 375 pages. $25 to enter for a prize of $1,000. Again the deadline is 15 July.
  • The Lazuli Literary Group want up to 150 pages of thoughtful, intelligent and beautiful writing of any kind. $15 to enter and the winner gets $500 – there may be multiple winners if the entries are good enough. Once more the deadline is 15 July.

All the rest have a deadline of 31 July.

  • Southlands Arts has a maximum of 2,000 words, a fee of £3 and a prize of £100.
  • Leicester Writes takes up to 3,500 words and charges £7 for a prize of £200.
  • The Anthology Short Story competition is for a mere 1,500 words, and it will cost you €18, but for a prize of €1,000.
  • The Olga Sinclair competition from Norwich is for stories up to 2,000 words on the theme ‘Weave’. £5 entry and a prize of £200.
  • The Plaza Prizes First Chapters looks for 5,000 words from the beginning of your ms + a 300-word synopsis. Entry costs £20 and the prize is £1,500.
  • Over in Munster they are again honouring Séan Ó Faoláin, master of the form, with a short story contest. Up to 3,000 words, €10 entry and besides a nice €2,000 prize you’ll be invited to do a reading in Cork.
  • By far the biggest prize on offer comes from The Novelry with their unusual offer, The Next Big Story Prize. They want your first 1,500 words: the novel need not be finished. If you’re from the UK it’s £15 to enter and the top prize is £75,000. If you’re from the USA, Canada, or Australia it’s US$15 to enter and the prize is US$100,000. In effect, this is two parallel competitions. If you’re from anywhere else, you can’t enter at all. Eight people from the shortlist get free entry to a course to polish up their offerings, with the final winner walking off with the prize. I assume this is intended to promote the Novelry’s courses, but it does seem a lot of money.
  • Finally, Wild Atlantic Words wants up to 3,000 words, it’s €10 to enter and the prize is €500.

If you get anywhere with any of these, do let me know.

June 2025 Competitions

Another look at forthcoming writing competitions I might enter. A lot of them have deadlines at the end of the month this time.

  • The Salamander Prize is for stories up to 7,500 words. Entry is $20, top prize $1,000 and the deadline is 1 June.
  • The Halifax Ranch award is for pieces between 2,000 and 6,500 words: $20 entry and a decent $2,500 prize. Deadline 1 June.
  • The Writer’s Digest has a word limit of 4,000. Entry is $35 and the top prize is $1000 – awarded in several categories with lots of lesser prizes. The grand overall winner gets $5,000. The deadline is 3 June.
  • Write by the Sea looks for up to 2,500 words, entry is €10 and the winner gets €500 plus a weekend pass to the festival in the delightful Irish town of Kilmore Quay. You’ve got until 6 June.
  • The MTP prize has a deadline of 10 June, and a word limit of 3,000. £9 to enter and £1,000 prize plus publication for top entries in a chunky anthology. MTP sells publishing services but based on my experience, you will not be pressured to buy them.
  • The Uncharted competition is for novel extracts of up to 5,000 words. $20 entry and a prize of $3,000. The deadline is 15 June.
  • Chaotic Creators want up to 2,000 words. £10 to enter gets you a chance of winning a rather paltry £50.00. The deadline is 23 June.

All the rest have a deadline of 30 June.

  • The Moth is back, looking for up to 3,000 words: entry is £15 and first prize £3,000.
  • The Wells Festival of Literature looks for up to 2,000 words: entry is £6 and the prize is £750.
  • The old faithful Henshaw competition, now run by Hobeck Books, has a maximum word count of up to 2,000, entry £6 and top prize £200.
  • The Katherine Anne Porter competition is for collections of stories totalling between 27,500 and 50,000 words. $25 entry and a prize of $1,000 plus publication.
  • Now one that isn’t fiction – the Writers’ College invites amusing essays of up to 600 words on the theme of ‘The Worst Writing Mistake I’ve Ever Made’. Perhaps I’ll tell them about the entry I sent to the Costa Coffee awards that had the characters meet in Starbucks. This one is free to enter and there’s a prize of NZ$200.
  • WriteTime is one for the oldies – over 60s, in this case. Only 1,500 words is required, £5 to enter and a £100 prize – a little improved on previous years but still well short of a life-changing sum.
  • The redoubtable Chris Fielden is again running his (now biennial) To Hull and Back competition for a humorous piece (which unusually, can have been published before). Up to 2,500 words: it’s £12 for one entry with reduced rates for additional ones. Besides £1,000, the winner is published in an anthology which has as its cover a picture of them riding a motorbike through Hell – or maybe just Birmingham, because Chris solemnly straps a copy to the front of his own bike and rides it from his home in Bristol to Hull where he is acclaimed by cheering crowds (I imagine).
  • Hysteria look for up to 1,000 words: £5 gets you a crack at a mere £75, albeit with the promise of publication.
  • I’m not sure I correctly understand the Page Turner competition which seems complex. There are many categories, but for a story I think they want up to 10 pages: entry fees start at £40 (?) but depending on the package you opt for it could be much more. I think the prizes are $1,000 (why the entry fee is in sterling and the prize in US dollars is just one of many unplumbed mysteries).
  • The Hastings Book Festival returns with a free contest looking for 2,500 words and offering a prize of £250.
  • Cranked Anvil has the same word limit, but charges £6 entry and has a prize of £300.
  • The Letter Review seeks stories up to 5,000 words: for a $20 entry, winners (2-4 of them) share a pool of $1,000

Do let me know if you achieve recognition in any of these, but do not try to enter Periscope’s Paired Fiction prize, because they’ve been overwhelmed by entries and are not accepting any more.

May 2025 Competitions

Here again are some writing competitions with deadlines during the coming month. The list is not comprehensive (I don’t bother with flash much, for example), but I hope it might be of interest.

  • Folly Journal takes stories between 800 and 2,500 words: NZ$10 to enter and first prize is NZ$1,000 – but the deadline is 1 May, so you need to be quick.
  • F(r)iction is looking for 1,000 to 7,500 words and it’s $10 to enter with a $1,000 prize. The good news is, you’ve got until 2 May. Incidentally, the same publisher is running Dually Noted, where people submit short (500 word) self-contained episodes which can continue the main story arc or be incidental episodes fitting the overall theme, a new addition every week. At the moment the overall theme, which continues until December, is A Night Club for the Newly Departed. No prize except online publication, but it’s free.
  • The Australian Book Review’s Elizabeth Jolley prize looks for up to 5,000 words. AU$30 to enter, a nice $5,000 prize, and the deadline is 5 May.
  • Old stalwart Writer’s Digest is back with a word limit of 4,000, a fee of $30 and a $5,000 prize. Enter by 5 May.
  • Ironclad want stories on the theme ‘Planted’. Up to 6,000 words, it’ll cost you £9 and you can win a comparatively unexciting £100. The deadline is 10 May.
  • Lush Triumphant offers a prize of $1,000 for stories up to 3,000 for a fee of $30 – deadline 15 May. I entered one of these a couple of years ago and could never seem to find out who won.
  • Ploughshares wants up to 6,000. The competition is free to subscribers, or you can pay $30 to enter (for which you also get a year’s subscription – see what they did there?). Enterr by 15 May.
  • The Ghost Story wants – well, have a wild guess – of up to 10,000 words. $20 entry gets you a chance at a $1,500 prize. Deadline 30 May.

All the rest have a deadline of 31 May.

  • The lively Frome Festival wants between 1,200 and 2,000 words: it’s £8 to enter and the top prize is £625.
  • You do not want to miss the prestigious Bridport competition. £5,000 for 5,000 words, with entry £14. This year a new Never Too Late prize will be awarded to the best entrant across all categories who is over 60 (discreet cough).
  • The Goldfinch Novel competition wants your first 3,000 words, plus a synopsis. £10 entry, and the winner gets £500.
  • Yeovil’s short story competition is for stories up to 2,000 words, entry £10.50 and the prize £625. It seems they don’t believe in round figures.
  • The Blue Pencil Agency First Novel competition asks for your first 5,000 words plus a 300-word synopsis. It’s £25 to enter and the prize is £1,000, but if you place you also get an introduction to one of their literary agents: I suppose you finally get to use that elevator pitch.
  • Finally I really have to mention the Robert Traver Fly Fishing Writing Award. (J.R. Hartley! Thou shouldst be living at this hour.) The word limit is 3,000, the fee $25 and the prize $2,500. Judges will look for three key things in the writing: the joy of fly-fishing (personal and philosophic experience); ecology (knowledge and protection of the natural world); and humour (piscatorial friendships and fun on the water). Apparently this has been going on since 2019, and long may it continue.

If you enter any of these and get anywhere, do let me know!

April 2025 Contests

Another look at writing competitions I might enter during the coming month (so no poetry or competitions that are not open to UK writers, for example).

  • Don’t forget the Alpine Fellowship Prize, deadline 1 April! The word count has been reduced this year, to 1,250, and the prize, at £3,000 is no longer quite as large as it once was: but this is still easily one of the best free competitions going.
  • The John Gardner Memorial Prize looks for up to 4,500 words, charges $19 and offers a prize of $500. Again the deadline is 1 April.
  • The Letter Review keeps going, offering a $600 prize for a maximum of 5,000 words: $20 to enter, by 1 April.
  • The Barry Hannah Prize from the Yalobusha Review takes up to 5,000 words, charges $3 and has a prize of $500: once again the deadline is 1 April.
  • A few more days for the Mairtín Crawford prize, with a deadline of 9 April. Up to 2,500 words, £10 to enter, £500 prize.
  • Desperate Literature is back wanting up to 2,000 words. €20 to enter and the prize is an attractive €2,000 plus a residency in Italy. Get your entry in by 13 April.
  • Fractured Lit wants ghost, fables or fairtales with a fresh approach, up to 1,000 words. $20 fee, $3,000 prize and the deadline is 13 April.
  • For the Perkoff Prize your story must relate to health or medicine, and it can be up to 8,500 words long. It costs $15 to enter and the prize is $1,000. The deadline is 15 April.
  • BOMB magazine takes up to 5,000 words for an entry fee of $30 and offers a prize of $1000. Deadline 15 April.
  • With the same deadline the New Ohio Review looks for 20 pages: $22 entry and $1,500 prize.
  • The Hemingway Shorts prize has a limit of 2,000 words, a fee of $15 and a prize of $1,000 and again the deadline is 15 April.
  • Also by 15 April, the Florida Review Editor’s Award takes stories up to 9,000 words, charges $25 and awards $1,000.
  • The Eyelands Contest has a theme of ‘2025’ (Did someone get the columns in their table transposed?) it wants stories up to 3,000 words, €10 to enter and a mere €500 prize. The deadline is 20 April.
  • The HoneyBee Prize from the Goodlife Review (how wholesome it all sounds) takes up to 5,000 words. $18 to enter, a relatively modest prize of $300, deadline 21 April.
  • Those excellent folk at FreeFall magazine have a word limit of 3,000. Entry is CA$25, and the prize is CA$500 plus publication. The deadline is 30 April, as it is for the next two.
  • The Plaza Prizes comp wants up to 5,000 words, and for £15 you  could win a very decent £4,000.
  • Finally the Gulf Coast Prize has a limit of 7,000 words, costs $26, and offers $1,500

If you enter any of these and win (or get anywhere), do let me know.

March 2025 Competitions

Here is another look at writing competitions I might enter which have deadlines in the coming month.

·      The Weatherglass Novella prize looks for 20 to 40,000 words: it’s £20 to enter. The winner(s) will be published and receive an advance of £500. The deadline is 1 March.

·      For the Tennessee Williams short story contest, your piece must have some sort of connection with A Streetcar Named Desire, and be between 1,500 and 4,000 words. $10 to enter, with a $300 prize. The deadline is 11 March.

·      The organisers of the Phoebe competition say there is no actual word limit, but that if your story is more than 4,000 words it will need to be extraordinary. $7 to enter, a $500 prize and the deadline is 15 March.

·      The Brick Lane Bookshop competition will accept up to 5,000 words: £10 entry for £1,000 prize: get your entries in by 17 March.

·      It’s festival time in Fowey again: they want a maximum of 1,500 words on the theme ‘Making Waves’. £10 entry and just £250 as top prize. The deadline in 28 March.

All the rest have a deadline of 31 March.

·      The Clay Reynolds Novella prize requires 20 to 50,000 words – $20 entry and $1000 as an advance plus publication for the winner. Looks like slightly better value for money than Weatherglass?

·      I don’t often do poetry, but the Plaza Prizes have a contest specifically for prose poetry – which I take to be laid out like prose but reading sort of like poetry? The limit, however, is specified as 60 lines. £10 entry, £250 prize.

·      The good old Henshaw contest is still going: 2000 words, £6 entry, £750 prize.

·      Speaking of value for money, the Deborah Rogers Foundation award appears to be free but offers a prize of £10,000! You will need 15 to 25,000 words, however.

·      The Bath Short Story award is back: 2,200 words, £9 entry and a prize of £1,000.

·      The Letter Review competition accepts up to 5,000 words: entry is $20 and you get a share of $1,000, so the final sum depends on how many winners they pick – most likely it will be 2-4 so maybe $333.33?

·      Just outside the month (deadline 1 April) you might want to be aware of the Alpine Fellowship competition. The prize is sadly reduced these days, but still £3,000: this year the word count has been halved, to 1,250, on the theme ‘fear’. The good news is, it’s free.

Good luck if you enter any of these; if you get anywhere, please do let me know.

February 2025 Competitions

Here is a look at writing competitions I might enter which have deadlines in February.

  • The Jim Baen Memorial prize is free to enter: the winner is published and paid commercial rates. Entries should be upbeat, realistic space stories up to 8,000 words – you need to get them in by 1 February.
  • The same tight deadline applies to the American Short Fiction competition (you need not be American, or short). Entries can be up to 1,500 and for the $18 fee you can have two. The prize is $1,000
  • The Masters Review once again looks for up to 6,000 words: $20 entry and a $3,000 prize. Enter by 2 February.
  • The Writers and Artists prize, from the handbook of the same name, is free and offers an Arvon course as its top prize: they want 2,000 words on the theme ‘Wonder’, and you have until 14 February.
  • The Mary McCarthy Prize is for a collection of stories of 150 to 250 pages. The fee this time is up from $29 to $34 (somebody there clearly thinks round numbers sound bigger). You can win $2,000 and publication and you have until 15 February.
  • The Elmbridge Literary Competition asks for 1,500 words on the theme ‘The River’. £8 to enter and a prize of £250. The deadline is 21 February.
  • The Next Generation award is for a story up to 5,000 words long. Entry is $25and you could win $500 plus a medal. Enter by 27 February.

All the rest have a deadline of 28 February.

  • The Brink prize is for hybrid or cross-genre writing up to 15 pages. $25 to enter, with a prize of $1000 and publication.
  • Bridge House is not actually running a competition as such but accepting submissions for its anthology. No fee, therefore, and your reward will be royalties if published. They are looking for up to 5,000 words on the subject of ‘Magi’, interpreted however you wish.
  • Exeter Writers want 3,000 words maximum: for £7 you get a chance at a prize of £700. Unusually, they don’t allow simultaneous submissions.
  • The Grace Paley award is for a collection of stories, between 150 and 300 pages. $30 to enter, $5,500 plus publication as the prize.
  • The NOWW competition from Ontario wants pieces between 2000 and 3,500 words. $CA10 to enter, and the prize is $CA125
  • The Edinburgh Short Story award has a maximum word count of 2,000: it’s £11 to enter and first prize is £3,000

If you get anywhere with any of these, please do let me know!

December 2024 Competitions

Another list of competitions I might consider entering – so no flash, poetry or competitions I’m ineligible for.

  • The Breakwater Review contest has a deadline of 1 December, costs $10 to enter and offers a $1000 prize. Stories up to 4,000 words.
  • The Black Fox looks for up to 5,000 words on the topic ‘Fragments of Time. It costs $12 to enter and the prize is $325. Submit by 1 December.
  • The Leopold Bloom Prize for Innovative Narration, from L’Esprit magazine, wants up to 5,000 words of ‘risk adept narration’ by 2 December. You can pay $10 or $15 for a quick response (within three days)
  • The Witness Literary Awards want you to ‘contextualize the American experience, highlight issues of global concern, grapple with the relationship between the personal and the political (however defined), and/or keenly observe interior/exterior landscapes.’ You’ve got a maximum of 7,000 words to do it in, and it will cost you $8, for a possible $600 prize. You’ve got until 5 December.
  • JuxtaProse will also take up to 7,000 words, and though they charge $18 their prize is $1,000. The deadline is 6 December.
  • You could be recognised as an Anthony Veasna So Scholar in Fiction if your submission, by 11 December, pleases Adroit Journal. You can submit up to three pieces which should total no more than 9,000 words. It costs $15 and the prize is only $200, but still…
  • The Columbia Journal Winter Print looks for stories up to 7,000 words – $15 entry, $500 prize, deadline 12 December.
  • The Masters Review Chapbook contest wants 25-45 pages. It costs $25 to enter and you could win a decent $3000 plus 50 copies of your chapbook. Last year it was 75 copies, but perhaps they have realised that giving away that many is a bit of a challenge, even around Christmas. Enter by 15 December.
  • Fabuly’s competition is refreshingly free. They want 2,000 words on ‘An Unexpected Encounter’, and you could win $500 with online publication of illustrated and audio versions of your work.
  • Globe Soup, that splendidly supportive Facebook community for writers, is running its big competition again – 8,000 words max and £8 to enter (once you’ve paid to enter one of their contests you can join the esoteric community where there are regular free competitions and other good stuff) for a prize of £2,000. Get your entry in by 16 December.

The rest all have deadlines of 31 December, possibly so you can use that nice pen/notebook you got for Christmas.

  • The Lascaux Review will take up to 10,000 words: entry is $15, top prize $1,000
  • Boulevard magazine will take up to 8,000 and charge $18, offering a prize of $1,500.
  • The Danahy Fiction Prize from the Tampa Review costs $20 to enter with a prize of $1,000. Stories up to 5,000 words.
  • Write Time is for the over-sixties only. Only 1,500 words, in recognition of our tired old fingers, and it’s £5 for one story or £10 for three, winning £100 so you can get a little gift for your grandchildren.
  • If you write horror, Killer Shorts want a story up to 6,000 words. It’s $30 to enter and you could win a package of benefits including publication and a mentoring call: but the real draw is a trophy in the form of a skull typewriter – whatever that is.

I hope you find something useful in the list, but please choose your competitions carefully and don’t just enter randomly, as I’m constantly doing. This year I submitted to about half as many as in previous years, but it still amounted to about one entry a week (I don’t write that fast – some stories were entered for multiple contests). Seven of those entries achieved some kind of recognition – one longlisting, four shortlists, one third place and one win. That’s a hit rate of 15%, marginally up on the surprisingly consistent 13% I’ve had in past years.

But the year’s not over yet! Merry Christmas!