I have updated my list of competitions… Rather slim pickings in April, but there are quite a few coming up in May. Surprisingly, there are no competitions for writing a good April Fool story. Someone should organise that.
I read Vincenzo Latronico’s book Perfection, about a young Italian couple who move to Berlin, where they live a highly fashionable life, working as web designers, going to trendy bars and restaurants, making friends with an international community of highly mobile young professionals, and above all, owning a series of beautiful objects that help create stunning pictures for their Instagram feed. It’s inspired by Georges Perec’s Things. The book is clever and very readable, and I recommend it – it was shortlisted for the International Booker and received well-deserved praise.
It’s a very believable account set in a specific time and place which Latronico must surely have experienced, full of neat, exact references. The theme, lightly but clearly outlined, is the contrast between a life that looks perfect ‘in the pictures’ but as lived falls a little short of ideal and becomes subtly unrewarding in a way the couple find hard to address.
Stylistically, it is highly unusual, consisting entirely of generalised descriptions of the sort of thing the couple do, the kind of meals they eat, what types of people tend to become their friends (few Germans) and so on. There is no dialogue or directly described action, and we are frequently told about feelings and moods they often felt. The narrative stays at this high level of generality throughout. It works fine, but I can’t help thinking how the tutor on a creative writing course, or some publisher offering feedback would respond. Why not have someone murdered, they might suggest, then the reader has a story to draw them through all this lovely description? Could you relate an argument they have over soft furnishings or something, just to bring these brand references to life? Have you ever heard of Joseph Campbell and the Hero’s Journey?
This is a very successful, celebrated book, but you and I could never get away with writing like this. You have to ask, how did Latronico ever get a literary agent to take this on? The answer seems to be – he married one.
I have updated my list of competitions…
I have now collected the competition details from previous months and put them all together on a new page, which I will update rather than making separate posts. February’s info is already there. You’ll see there’s also a direct link from the front page to the new one. I think this will make the list a little easier to find and consult. The idea is also that in due course there will be a full rolling twelve months on the page, which should make it easier to look at old details to get an idea of what’s probably coming up beyond next month.
I hope this is helpful. Feedback is welcome, (but don’t write to say you’d like all the competitions to be free, for I am powerless in that respect).
November is coming, but there will be no NaNoWriMo…
You may know that this was the annual exercise in which people attempted to write an entire novel (well, 50,000 words, a bit skimpy actually) in a single month. You could register your progress, meet up with fellow writers and so on.
There was always something a little strange about this. It seemed designed for people who didn’t really enjoy writing, but wanted to get it off their bucket list once and for all. Arguably it encouraged bad writing because quality was not important, just quantity. And while it was meant to be encouraging, most people always failed.
Apparently there had been several problems. There were claims that its forums were misused, though the organisers were quick to act. It weirdly decided to allow the use of AI, which most people thought rendered the exercise pointless (it even claimed that denying AI to participants was ableist). Somehow it ran out of money.
My feelings are ambivalent, but they include a big element of regret. I entered (and succeeded) in 2008 with a story about, what else, someone entering NaNoWriMo. I polished the result up afterwards, but it’s still medium bad with a few good lines. Probably my biggest mistake was to make my hero, the narrator, pretentious and verbose. Humorously, but still.
Nevertheless, in a spirit of commemoration and for what it’s worth, here it is.
Here is another selection of writing competitions I might enter with deadlines in the coming month.
Presented once again in a handy tabular form!
As always these are just the competitions I might enter myself, so they don’t generally include flash fiction or poetry. I hope, though, that there’s something that interests you.
| Prize | Length | Fee | Prize | Deadline | Comments |
| Commonwealth Short Story Prize | 2-5k | Free | £2,500 region, £5,000 overall | 01/11/2025 | |
| Ascent Novel Prize | first 3000 words, pitch and synopsis | £29.00 | £1,000.00 | 01/11/2025 | Feedback for all entrants + online community |
| Scribble Short Story | 3,000 | £5.00 | £100.00 | 01/11/2025 | Theme ‘Accused’ |
| F(r)iction | 1,001 – 7.5k | $15 | $1,000 | 07/11/2025 | |
| Galley Beggar Press | 6,000 | £11.00 | £2,500.00 | 08/11/2025 | |
| Curious Curls | 10,000 | $2.00 | $250 | 15/11/2025 | Theme ‘Hole’ |
| NORward | 20p | $21 | $750 | 15/11/2025 | |
| Writer’s Digest short short | 1,500 | $30 | $3,000 | 17/11/2025 | |
| Narrative Magazine | 15,000 | $27 | $2,500 | 21/11/2025 | |
| Fish short story | 5,000 | £24.00 | £3,000.00 | 30/11/2025 | |
| PrairieFire | 5,000 | CA$34 | CA$1250 | 30/11/2025 | |
| Tadpole Press | 100 | $15 | $1,000 | 30/11/2025 | |
| Inkspot | 2,500/5,000 | £10/£15 | £1,000.00 | 30/11/2025 |
If you get anywhere with any of these, please do let me know.
The tabular format seemed to work last time, so I think I’ll stick with it (feedback always welcome, though).
As always these are just the competitions I might enter myself, so they don’t generally include flash fiction or poetry. That said, there’s a range of prizes here, some generous, others less so.
| Prize | Word count | Fee | Prize | Comments | Deadline |
| Calvino Prize | 25p | $25 | $2000 | In the spirit of Calvino but not pastiche | 01/10/2025 |
| Zoetrope All-Story | 5,000 | $30 | $1,000 | 01/10/2025 | |
| Jeffrey E. Smith (Missouri Review) | 8,500 | $25 | $5000 | 01/10/2025 | |
| Letter Review | 5,000 | Free ($5 for extra) | Share of $1000 | 01/10/2025 | |
| Dzanc Books | 40,000 | $25 | $2,500 +pub | Collections | 01/10/2025 |
| Spokane Prize (Willow Springs Books) | min 92 pages | $25 | $2000 | There are some other rules about lengths. | 02/10/2025 |
| What the Wild Carries | 5,000 | $20 | $2000 + pub | Various genres | 05/10/2025 |
| Moonlit Getaway | 2,500 | $CAD8 | $CAD250 | 12/10/2025 | |
| Caledonia Novel Award | 20p +200 syn | £28.00 | 1500 + framed award | You don’t have to be Scottish. | 15/10/2025 |
| The Raven (Pulp Lit) | 2,500 | $35 | publication + $300 | 15/10/2025 | |
| Tennessee Williams Festival | 7,000 | $25 | $1,500 + Festival invite | 15/10/2025 | |
| Eyelands | 250k | €40.00 | Translation into Greek, pub + ceramic | Unusual comp based in Greece | 20/10/2025 |
| Bedford | 3,000 | £8.50 | £2,000.00 | 31/10/2025 | |
| Southport Writers Circle | 2,000 | £3.00 | £200.00 | 31/10/2025 | |
| Ironclad | 6,000 | £9.00 | £100.00 | Theme: ‘Switch’ | 31/10/2025 |
| The Hope Prize | 5,000 | $30 | $10,000 + pub | Stories of ‘Hope, courage, and resilience’ | 31/10/2025 |
If you get anywhere with any of these, please do let me know.
I did a presentation on writing competitions! Regular entrants will know all this stuff already, but here it is if you’re interested.
This month I’m trying the experiment of just putting the competition information into a table. It’s slightly simpler for me and it’s probably easier for readers? Let me know if this causes problems. If you’re looking at this on a phone, I suggest holding it sideways.
Full disclosure: I am running Croydon Writers’ Michael Round Prize, which is listed below – not as a judge but as the administrator.
| Contest | Max Words | Fee | Prize | Deadline | Comments |
| River Styx | 3,000 | $20 | $1000 | 01/09/2025 | |
| American Literary Review | 8,000 | $15 | $1,000 | 01/09/2025 | |
| Terrain | 5,000 | $20 | $1,000 | 02/09/2025 | |
| Masters Review summer | 6,000 | $20 | $3000 | 07/09/2025 | |
| Aesthetica | 2,000 | £18.00 | £2500 +course etc | 08/09/2025 | |
| Santa Fe Writers Project Award | No limit | $30 | $1,500 | 15/09/2025 | |
| Paul Cave Prize | 1,000 | £15.00 | £75.00 | 30/09/2025 | |
| Write Time | 1,501 | £5.00 | £50.00 | 30/09/2025 | Only writers over 60 |
| NAWG | 500-2k | £5.00 | £200.00 | 30/09/2025 | |
| Hammond House | 1-5k | £10.00 | £1,000.00 | 30/09/2025 | Theme: Secrets |
| Henshaw (Hobeck) | 2,000 | £6.00 | £200.00 | 30/09/2025 | |
| Juniper | 55-75k | $30 | $1000 | 30/09/2025 | |
| Michael Round Prize | 2,000 | Free | £100.00 | 30/09/2025 | Theme: Far and Wide |
| Writer’s College | 2,000 | $15 | $1000 | 30/09/2025 | Theme: All the things we didn’t learn |
| The Ghost Story | 10,000 | $20 | $1,500 | 30/09/2025 | |
| Creative Writing Ink | 3,000 | £12.00 | £1,000.00 | 30/09/2025 | |
| Pudding Press Detritus | 20p | £10.00 | Publishing contract | 30/09/2025 | For stories rejected elsewhere |
| Letter Review Short Story | 5,000 | $20 | $333 | 30/09/2025 | |
| Crowvus ghost Story | 4,000 | £3.00 | £100.00 | 30/09/2025 | |
| George Garrett Prize | 100k | $28 | $2000 | 30/09/2025 |
And a quick mention for the good people at Chaotic Creators, who have a poetry competition going. Up to 40 lines, deadline 12th September, £10 entry, £50 prize plus publication and a printed copy of the magazine. Theme: autumnal, gothic, horror vibes.
A selection of writing competitions that I might enter with deadlines in August.
All the rest have a deadline of 31 August.
If you get anywhere with any of these, do let me know.
Seen and Done 