This play, starring and partly written by Mark Rylance, tells the story of how Dr Ignaz Semmelweis discovered that fatal puerperal fever could be almost eliminated just by getting doctors to wash their hands. This radical innovation was not accepted by the profession (and the play makes clear that Semmelweis was, well, somewhat lacking in diplomacy, which didn’t help) and the doctor himself, whose behaviour became increasingly unacceptable, died in a lunatic asylum.
It’s a great production, which includes a group of women who play violins and dance around or with the actors. That sounds weird, but it mostly works, only seeming intrusive a couple of times.
It seems odd now that the simple notion of bacterial infection should have been so difficult to grasp. Part of the problem was that Semmelweis had only sketchy, inaccurate ideas about the mechanism: he just knew, and demonstrated, that washing worked. Sadly it was a long time before the practice was universally accepted.
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