Tag: short story

August 2023 competitions

July 17, 2023

Here’s my regular look at writing competitions I might enter during the coming month.. 

  • The Scottish Association of Writers has the Westerwood competition for stories of 2-3,000 words. Entry is £7 with a parsimonious prize of £100. The deadline is 5 August.
  • Uncharted Magazine wants 1,001 to 5,000 words. Entry is $20 and the prize a more generous $2,000. Stories must be on the theme ‘The Aftermath’, and in one of the three genres they publish: SF/F, Thriller/Horror and Mystery/Crime. The deadline is 6 August.
  • Gival’s regular contest is with us again: 5-15,000 words, entry $25, top prize $1,000, enter by 8 August.
  • Periscope wants briefer stories, up to 1,500 words, on the theme ‘Identity’. £10 entry, first prize £1,000 and the deadline is 15 August.
  • Louise Walters is back with the competition based on page 100 of your novel. It’s £5 to enter: no money prize but a full editorial report and a box of books. Deadline 20 August.
  • The Summer version of the Masters Review competition is back – up to 6,000 words, $20 to enter and a prize of $3,000. The deadline is 27 August.

All the rest have a deadline of 31 August.

  • Creative Writing Ink wants up to 3,000 words, entry is £9 and the prize £1,000.
  • Bit of a fanfare for the University of New Orleans’s Publishing Laboratory, who are offering a prize of $10,000 plus publication. For that they want a full-length novel or collection (no word or page limit) and an entry fee of $28.
  • On a more modest scale, Anthology wants a maximum of 1,500 words, for an entry fee of £18 and a prize of £1,000.
  • Letter Review looks for up to 5,000 words. Your £20 entry fee gets you access to a £1,000 prize pot to be split three ways – so £333.33, I suppose.
  • Aesthetica Magazine puzzles me slightly, because it seems to be an avant-garde publication about art and design rather than a literary one. But the competition claims former winners have gone on to great success. It’s £18 to enter, with a prize of £2,500. Up to 2,000 words. 
  • The Kenneth Patchen award is for an innnovative, experimental novel of any length. $25 to enter, win $1,000 and publication.
  • St Lawrence look for a collection of 120-280 pages. $28 gets you a shot at $1,000.

Good luck if you enter any of these, and do let me know if you get anywhere!

July 2023 Competitions

June 19, 2023

Here’s my regular look at writing competitions I might enter during the coming month (so no poetry or competitions that arenot open to UK writers, for example).

  • Leicester Writes wants up to 3,500 words, with an entry fee of £7.00 and a prize of £175. The deadline is 2 July.
  • Liminisa offers a week’s writing holiday at their retreat in Greece: entry is free, but you must follow them on social media. The maximum word count  is 1,500 and the theme is ‘A Room of One’s Own’, Deadline 2 July.
  • Story Quarterly (from Rutgers) will take pieces up to 6,250 words: entry is $15 and the top prize £500. The deadline is 9 July.
  • The H.G.Wells competition is back, with a theme of ‘Motion’. Up to 5,000 words, with a deadline of 10 July. The top prize is £1,000, while entry is £10.
  • Wrekin Writers are again running the Doris Gooderson competition, with a deadline of 12 July. They want up to 1,200 words, entry is £5 and the top prize is £200: at least half the funds raised will go to the Severn Hospice.
  • Hastings Book Festival has a word limit of 2,500, and entry fee of £7.50 and a prize of £250: deadline 14 July.
  • LISP wants up to 3,000, with a deadline of 15 July.  Prizes have been shrinking recently, but I have to say this one does not look generous: £100 against an entry fee of £15.50. Earlier in the year, I must acknowledge, the fee would have been lower, but still – a prize that’s less than seven times the entry cost?
  • The Adrift competition from Driftwood magazine will take pieces of up to 6,000 words: entry is $11, the prize is $500 and the deadline is again 15 July.
  • With the same deadline, the Petrichor prize from Regal House looks for 100-350 pages of ‘finely crafted’ fiction. Entry is $25 and the prize $1,000.
  • Hawk Mountain looks for a book-length collection of short stories: entry is $20 and the prize $1,000 plus publication. Deadline 15 July.
  • One more with the same deadline: the Francine Ringold Award from Nimrod, open to pieces of up to 5,000 words, entry $12 and prize $500.
  • The Aurora Prize, from the writers of the East Midlands, seeks up to 2,000 words. Entry is £9 and the prize is £500 plus a year’s membership of the Society of Authors: enter by 19 July.
  • Munster Lit is back with the annual Séan Ó Faoláin competition. Entry is  €19 and the prize €2,000 plus a writing residency. The closing date is 31 July, as it is for all the remaining competitions.
  • Creative Writing Ink want 3,000 words max, with a fee of £9 and a prize of £1,000.
  • The Olga Sinclair prize, from Norwich, looks for up to 2,000 on the theme ‘The Sea’. Entry is £9 and the prize is £500.
  • The Global Novel Writing Competition is free to enter, but there is no cash prize. Instead, you get free entry on to a course at the Writers’ College. They want first chapters up to 6,000 words plus a synopsis

Good luck if you enter any of these; if you get anywhere, please do let me know!

May 2023 Competitions

April 21, 2023

These are some writing competitions with deadlines during the coming month. This list is really for me (I’ll probably end up entering about half of them), so it is not comprehensive (I don’t bother with flash much, for example), but I hope it might be of interest.

  • The Bloom prize requires up to 2,500 words on ‘Beauty’: it’s £3 to enter and the prize is £500. The deadline is close, on 1 May.
  • With that same tight deadline, Pigeon Pages will take up to 3,000 words: entry is $15 and the prize $250.
  • There’s an extra week for the Leapfrog contest, which has a deadline of 8 May, but they are looking for a full length piece. It can be a novel, novella, or collection of short stories, but must be at least 22,000 words long. It’s $35 to enter: you could win $150 plus publication.
  • Ploughshares will take up to 6,000 words, and offer a $2,000 prize for a $24 entry fee. The deadline is 15 May.
  • Even better value is Philadelphia Stories’ Marguerite McClinn prize, where you can spread yourself to 8,000 words, entry is $15 and the top prize $2,500.
  • subTerrain offers their Lush Triumphant Literary Award: up to 3,000 words, entry $30 and prize $1,000. I’m guessing they don’t want spare, minimalist prose? The deadline is 15 May.
  •  The Raymond Carver prize is back: up to 10,000 words, entry $18, prize $2,000 and the deadline is 17 May.
  • Folly Journal has launched its inaugural competition with a prize of $NZ1,000: entry is $NZ6. The word limit is 2,000 and the deadline is 30 May.

All the rest have a deadline of 31 May.

  • MTP wants a maximum 3,000 words: the top prize is £2,000 and they print a number of commended entries in a nice thick anthology (they also help people publish their manuscripts, but I’ve entered previously and didn’t get any kind of sales pitch for their services). Entry is £8.
  • The lively Frome Festival wants between 1,000 and 2,200 words: it’s £8 to enter and the top prize is £400.
  • You do not want to miss the prestigious Bridport competition. £5,000 for 5,000 words, with entry £14.
  • Autumn House Press are looking for larger works, of between 37,500 and 75,000 words. You could win $2,500 and publication, for an entry fee of $30.
  • Black Lawrence will also publish your winning entry, as a chapbook of 16-36 pages (a format which is perhaps more familiar for poetry). There is also a prize of $500. Entry is $17.

If you enter any of these and get anywhere, do let me know!

April ’23 Competitions

March 18, 2023

Here is a look at writing competitions I might enter during the coming month (so no poetry or competitions that are not open to UK writers, for example).

  • The Grindstone Novel Competition looks for the first 5,000 words of your novel, plus a synopsis. Entry is £16, and you could win £1,000 plus introductions to some people who might be helpful. The deadline is 1 April.
  • Nimrod is running the Katherine Ann Porter competition. Up to 7,500 words, $20 to enter, and a top prize of $2,000. Again, the deadline is 1 April.
  • The Missouri Review’s Perkoff Prize will take up to a sprawling 8,500 words on the theme of health or medicine. Entry is $15, first prize £1,000, and the deadline is 2 April.
  • The Masters Review is back, seeking manuscripts of up to 7,000 words for another anthology: entry is $20 and you can win $500 plus publication. Enter by 2 April.
  • The Brick Lane Bookshop has a word limit of 1,000 to 5,000 words. Entry is £10, first prize £1,000, and you have until 3 April.
  • The Evening Standard is running a free competition – and you only have to produce 1,000 words, on the theme of ‘belonging’. The downside is that there’s no money prize, but you get mentoring, publication in the Standard and participation in various events. The deadline is 12 April.
  • For the John Gardner Memorial Prize you need up to 4,500 words. Entry is $19 and the top prize is $500. The deadline is 15 April.
  • Desperate Literature is back, looking for up to 2,000 words. Entry is €20 and you can win €1,500 plus a week’s literary residence in a splendid Italian castle. The deadline is 16 April.
  • The First Pages competition requires the first 1,250 words of your book: it’s $20 to enter, with a prize of $2000, and you must get your entry in by 24 April.
  • The Australian Book Review’s Elizabeth Jolley Prize requires up to 5,000 words. Entry is A$30, the top prize is A$6,000, and the deadline is 24 April.
  • With the same deadline, we have the Bath Short Story Award with entry fee of £9 (I’d round it up if it were me). The word count must be under 2,200 and the prize is £1,200.
  • The we have the Bristol Short Story Prize, which accepts up to 4,000 words. The entry fee is… £9 (is this a thing?), and the top prize £1,000. The deadline is 26 April.
  • The Ghost Story’s Supernatural Fiction Award is not restricted to actual ghost stories. The word count can be as high as 10,000, it costs $20 to enter, and you can win $1,500 plus of course publication. The deadline is 30 April.
  • With the same deadline, the Letter Review Short Story competition accepts stories up to 3,000 words. Again it’s $20 to enter and the prize is $600.
  • Mirk Fantasy magazine is new and wants stories up to 2,500 words on the theme ‘Outsiders’. It’s £5 to enter and the prize is £100. Any kind of fantasy is acceptable, but their favourite is apparently epic or high fantasy. Deadline 30 April.
  • Finally, you can get the ‘early bird’ entry fee of €12 if your entry for the Anthology short story prize is in by 30 April. If you’re prepared to pay €18, you can have until the end of August. Maximum 1,500 words and the top prize is €1,000 plus publication and a year’s subscription.

If you enter any of these and win (or get anywhere), do let me know!

March ’23 Competitions

February 20, 2023

Here is a look at writing competitions I might enter which have deadlines in the coming month (so no poetry or flash, for example).

  • Not to be missed, the Alpine Fellowship seeks stories of up to 2,500 words on the theme of ‘Flourishing’. They interpret this word in a particular way, so I recommend reading what they say about it. It’s free to enter: first prize is £3,000, down from the massive £10,000 of previous years, but still generous, and it comes with  an invitation to their August symposium in Fjällnäs, Sweden. The deadline is 1 March.
  • Not actually a competition, but with the same deadline, Guts Publishing is open for submissions of works at least 30,000 words long.
  • Is March 1 Guts Day? Because with the same deadline again we have the Gutsy Great Novelist competition, looking for Chapter One of your novel. This one costs $20 to enter, with a prize of $1,000.
  • The Fowey Festival competition has a deadline of 5 March, and seeks up to 1,500 words. It’s £10 to enter, with a £250 prize and the melancholy theme is ‘I’ll Never Be Young Again’.
  • Entries to the Tennessee Williams Short Story contest should have some link to the great author and be between 1,500 and 4,000 words. $10 to enter, a prize of $200, and the deadline is 11 March.
  • The BBC National Short Story Award is a big one, with a prize of £15,000 and your work published and broadcast. Entrants need a record of prior publication and self-publishing does not count. It’s free, however, and there’s a generous word count limit of 8,000. The deadline is 13 March.
  • The Perkoff Prize, from the Missouri Review, wants up to 8,500 words on health or medicine. It costs $15, the prize is $1,000, and the deadline is 15 March.
  • With the same deadline, Lorian Hemingway (granddaughter of Ernest and a notable writer herself) looks for up to 3,500 words. Entry is $15 if you’re quick or $20 later, and the prize is $1,500.
  • Also with a deadline of 15 March, Phoebe wants up to 5,000 words. Entry is $7 and top prize $500. The link goes to the Submittable page, scroll down for the relevant details.

All the rest have a deadline of 31 March.

  • The Deborah Rogers Foundation offers a big prize of £10,000 for a promising work in progress. Send 15 to 20,000 words of your manuscript so far. It’s free: the intention is to help give someone who is struggling the support they need to get their writing project delivered. You must reside in Britain, the Commonwealth, or Eire. As a comfortably retired person with plenty of opportunity to write, I probably won’t enter, but I hope they find a worthy winner.
  • The Clay Reynolds Prize from the Texas Review is a relatively rare opportunity for works in the novella form (20 to 50,000 words). Entry is $20, and you could win $500 plus publication.
  • The Crazy Cats are back with an Easter competition in which you must include swearing and/or insults: however, you are to use the names of pastries or chocolate as the offensive terms, you bunch of glazed croissants. Up to 2,500 words, £7.50 to enter and a prize of £70 (not huge but it would buy you a few pains au choc).
  • The focus is on experiences for the Long Covid anthology, which is free to enter. There will be no single winner, but selected accounts of the continued impact of the disease (up to 1,500 words) will be published and the authors will receive an honorarium.
  • That old warhorse the Henshaw prize is still plugging away, with the latest competition offering the usual £200 prize for stories up to 2,000 words: it’s £6 to enter and for a modest extra fee you can get feedback.
  • Finally, Pinch Literary Awards, from Memphis, wants up to 5,000 words. Entry is $20 and the prize is a nice $2,000.

Good luck if you enter any of these; if you get anywhere, please do let me know.

January 2023 Competitions

December 21, 2022

A selection of writing competitions I might enter during the coming month, with no pretence of being a comprehensive list.

  • The Exeter Novel Prize requires your first 10,000 words and a synopsis: £20 to enter, with a prize of £1,000. The deadline is 1 January (though I’d be surprised if anyone is reading your excerpt on 2 January).
  • The European Society of Literature is running the European Writing Prize. Brits can still enter in spite of Brexit (in fact anyone  from anywhere). Entry is free, and the prize is €50 plus life membership (and think of the prestige!) They want between 1,500 and 3,500 words on the theme of ‘Anxiety’. To help with getting into the mood, the deadline is 1 January. They say results will be out by the end of the month, which is a bit hard to believe.
  • If you’ve got an excess of anxiety after that, you could try the Disquiet Literary Prize. 25 pages max, entry $15, prize $1,000, and for this one you’ve got until 2 January.
  • Cheering up, we have the regular Henshaw competition: as ever, it’s for 2,000 words, entry £6, prize £200. The deadline is 6 January.
  • What about trying non-fiction? The Nine Dots prize is for an essay on ‘Why the Rule of Law has become so fragile’. Really they are looking for something that will be developed into a full-length book. You need to provide 3,000 words, a structure, and a justification statement, but you’ve got until 23 January. Entry is free. Why are you thinking of non-fiction all of a sudden, you ask: well, it just seems attractive. The prize is $100,000.
  • The Bournemouth (Fresher) Writing Prize wants 3,000 words. It’s £7 to enter and you could win £500 plus feedback and a professional recording of your work. The deadline is 27 January.
  • The Face Project only wants 1,000 words and entry is free, but the only prize is publication, albeit in a unique new production. Your story must be inspired by one of the 28 pictures of faces on their site. Deadline is 29th (not 28th?)
  • The Thomas Wolfe Fiction Prize has a limit of 3000 words: entry is $25, top prize $1,000 and the deadline is 30 January.

The rest all have a deadline of 31 January.

  • The Masters Review is back with its winter award. Up to 6,000 words, $20 to enter, and top prize is $3,000.
  • .The Parracombe prize has come back with a higher word limit – 2023 instead of last year’s 2022 (yes, I see what you did, Parracombe!) Entry is £5, the prize £150.
  • Askew’s Word on the Lake festival offers a prize of $200 (Canadian) for stories up to 1,500 words: entry is $15.
  • Finally the swamp pink prize from Crazy Horse wants up to 25 pages: entry is $20 and the prize $2,000.

If you get somewhere with one of these, do let me know

Dillydoun 2022

November 15, 2022

My story ‘A Voice Across the Coughing Brine’ has reached the Dillydoun Review long list!

The title is a quote from a Mervyn Peake poem…

A voice across the coughing brine
Has sewn your spirit into mine!
O love it is for me to die
Upon your bosom noisily,
Ah pity me, ah pity me,
What is it all about?
What is it all about?

September ‘22 Competitions

August 18, 2022

Here’s my regular look at writing competitions I might enter during the coming month. This time the majority have deadlines right at the end of the month. 

  • Among the early ones is On the Premises magazine, which wants stories of 1-5,000 words by 2 September. It’s free to enter and first prize is $250. The theme is ‘Objects in Motion’: the main characters must be in constant motion (being on Earth, which is orbiting the Sun, is not enough).
  • City Academy is again running its unique competition. The deadline is 5 September, but they issue a series of prompts and exercises, making the whole thing almost like a mini writing course. This probably makes the £15 entry fee rather good value, and you can win £1,500 and a voucher worth £300. The maximum word count is 4,000.
  • Terrain wants stories up to 5,000 words: entry is $20, the top prize $1,000, and the deadline is again 5 September.
  • The Jean Golding Institute wants stories up to 4,000 words on ‘The Secret Life of Data: entry is free, but you could win £1,000. The deadline is 12 September.
  • The annual contest in memory of Dinesh Allirajah is on the theme ‘Music’ this year. It’s free, the top prize is £500 and length must be 2-7,500 words. The competition closes on 22 September.
  • Juxtaprose wants stories up to 7,000 words: entry is $15, first prize $1,000, and the deadline is 26 September.

All the rest have a deadline of 30 September.

  • Creative Writing Ink want stories up to 3,000 words: entry is £9 and top prize £1,000
  • Ovacome is a charity providing support to sufferers from ovarian cancer: your story, of up to 1,500 words, does not have to be about cancer or health, but should be on the theme ‘Perspective’. Your £5 entry fee will help fund the charity’s good work, though with a first prize of £250 I suppose they’ll need at least fifty entries before they get into profit.
  • Those nice people up in Norwich are once again running the Olga Sinclair competition. 2,000 words, £9 entry, with a £500 top prize. This year there is no theme.
  • A little further north, those other nice people at Hammond House, in Grimsby, offer £1,000 for stories up to 5,000 words on the theme ‘changes’. The entry fee is £10.
  • Louise Walters is again running her unique ‘Page 100’ contest, which requires, well, just page 100 from your novel or novella (which must be at least 20,000 words long). It’ll cost you £6.50 and you could win a mentoring deal (I think to be honest I should prefer money and/or publication, but no doubt Louise, who made herself into both a writer and a publisher, would be a great mentor).
  • Ghost Story is again calling for, guess what, ghost stories, though anything supernatural or magic realist is acceptable: they like stuff that expands the boundaries of the form. Up to 10,000 words, $20 to enter and $1,500 for the winner.
  • If you thought Grimsby was in the North, what about the good folk of Crowvus, right up at the top end of Scotland? Once again they would like a Christmas ghost story in the good old tradition. Up to 4,000 words, just £3 to enter, and a prize of £100.
  • Blue Mesa will allow up to 6,000 words: entry is $15 and the prize $500.
  • Seven Hills only wants 3,000 words but will charge you $35 to enter for a prize of $300. (Is an entry fee which is more than 10% of the prize a bit much?)
  • Last but very much not least are those old stalwarts at Henshaw Press with their regular competition. 2,000 words, £6 to enter, and £200 prize.Good luck if you enter any of these, and do let us know if you get anywhere!

August 2022 competitions

July 15, 2022

A selection of writing competitions with deadlines in August that I might enter.

  • First, I got the deadline for the Reader Berlin contest wrong last time (unless they changed it surreptitiously…) it doesn’t close until 15 August.
  • Gival want longer stories of 5,000 to 15,000 words: entry is $25 and first prize $1,000: deadline 8 August
  • If you write SF, the NextGen Science competition offers a $200 prize, entry fee $20. Maximum length is 15 pages (I assume you’re not allowed to write in unspaced 8-point font on A3) and the competition closes on 15 August
  • The Masters Review (which always sounds a bit sinister to me) offers $3,000 for a story up to 6,000 words: entry is $20, deadline 28 August
  • Those nice people at Exisle Academy are offering a prize of training and resources valued at $2,000. The competition is free to enter and they want pieces up to 1,500 words on ‘the story I needed to have read’. Get your entry in by 28 August.
  • Etched Onyx are back, looking for stories up to 5,000 words with a prize of $500. The entry fee is $7.50 if you’re early, or $12.50 later, and the deadline is 28 August

All the rest have a deadline of 31 August

  • Aesthetica offers a prize of £2,500, for an entry fee of £12. The maximum word count is 3,000.
  • NAWG wants stories up to 2,000 words: entry is £5 and first prize is £200
  • The Willesden Herald, that august but largely imaginary newspaper, offers £300 for up to 7,000 words: entry is £5.
  • Anthology are looking for a brief 1,500 words at most, and offer a €500 prize. The theme is ‘courage’. Entry is €15
  • Hysteria have the theme ‘peace’. The top prize is £300 and entry £3: the maximum word count is a mere 1,000

Good luck if you enter any of these – if you get anywhere with them, do let me know.